Jamie Reid archive
Artwork
late 1970s (designed)
late 1970s (designed)
Artist/Maker | |
Place of origin |
This is a fly poster ripped from a wall, propaganda used by the far-right racist National Front party in the late 1970s. Jamie Reid used this design satirically and reorganised the advertisement to give it new meaning by appropriating it in his designs for the reggae compilation album, The Front Line II (see S. 811-1990). His initial outline doodle can be seen in the lower left hand corner of this ideas board.
Jamie Reid's cut-and-paste aesthetic, developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, who would later become the manager of the Sex Pistols.
Jamie Reid's cut-and-paste aesthetic, developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, who would later become the manager of the Sex Pistols.
Object details
Categories | |
Object type | |
Title | Jamie Reid archive (named collection) |
Materials and techniques | Printed paper mounted on board |
Brief description | Fly poster for the National Front, subverted by Jamie Reid for a record cover design and poster, 1970s. |
Physical description | Printed poster with image of a face peering out from black background, with lower half a Union flag. Text across top and ripped along bottom of poster. Mounted on board with small pen doodle at bottom left corner. |
Dimensions |
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Marks and inscriptions |
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Summary | This is a fly poster ripped from a wall, propaganda used by the far-right racist National Front party in the late 1970s. Jamie Reid used this design satirically and reorganised the advertisement to give it new meaning by appropriating it in his designs for the reggae compilation album, The Front Line II (see S. 811-1990). His initial outline doodle can be seen in the lower left hand corner of this ideas board. Jamie Reid's cut-and-paste aesthetic, developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, who would later become the manager of the Sex Pistols. |
Associated object | S.811-1990 (Design) |
Collection | |
Accession number | S.4045-2009 |
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Record created | February 4, 2010 |
Record URL |
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