Not currently on display at the V&A

Jamie Reid archive

Badge
Late 1970s (designed)
Artist/Maker
Place of origin

During the punk and post-punk period of 1976 to 1984, it was fundamental to wear your allegiances, political or musical, on your lapel in the form of the button badge. Better Badges, run by Joly McFie, was the small business leader in manufacture of punk buttons, of which this is an example. He started a stall in 1976 at a Ramones gig at the Roundhouse, London, and became a fixture of the scene with a mail order service too. Jamie Reid used McFie's process cameras to produce artwork for single sleeves for the Sex Pistols, which were subsequently turned into badges by McFie.
This badge would have been designed after Sid Vicious was accused of girlfriend Nancy Spungen's murder. She was found stabbed in their Chelsea Hotel room in October 1978. Both had taken a cocktail of drugs and Vicious was unclear about what had happened overnight; theories suggest that she was murdered by their drug dealer while Vicious was passed out. McLaren and Reid supported him through this time.
Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols.


Object details

Category
Object type
TitleJamie Reid archive (named collection)
Materials and techniques
Printed paper and plastic film pressed on to metal pin back.
Brief description
Circular pin badge. Black background with white text reading "SID VICIOUS NOT GuiLty OK". Printed paper on metal backing covered with plastic. Jamie Reid archive.
Physical description
Metal pin badge with printed paper and polyester film cover. Black background, with white typography.
Dimensions
  • Diameter: 3.2cm
Marks and inscriptions
  • SID VICIOUS / NOT / GUiLty / OK
  • Transliteration
Subjects depicted
Summary
During the punk and post-punk period of 1976 to 1984, it was fundamental to wear your allegiances, political or musical, on your lapel in the form of the button badge. Better Badges, run by Joly McFie, was the small business leader in manufacture of punk buttons, of which this is an example. He started a stall in 1976 at a Ramones gig at the Roundhouse, London, and became a fixture of the scene with a mail order service too. Jamie Reid used McFie's process cameras to produce artwork for single sleeves for the Sex Pistols, which were subsequently turned into badges by McFie.
This badge would have been designed after Sid Vicious was accused of girlfriend Nancy Spungen's murder. She was found stabbed in their Chelsea Hotel room in October 1978. Both had taken a cocktail of drugs and Vicious was unclear about what had happened overnight; theories suggest that she was murdered by their drug dealer while Vicious was passed out. McLaren and Reid supported him through this time.
Jamie Reid's cut-and-paste aesthetic developed from his interest in radical politics. His artistic style developed while at art college in Croydon, where he was influenced by the ideas of the avant-garde political group, the Situationist International. The political slant to his art was aroused by the May 1968 Paris student riots, which inspired fraternal protests organised by Reid at the Croydon College of Art. These were directed with fellow student Malcolm McLaren, later to become the manager of the Sex Pistols.
Collection
Accession number
S.942-1990

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Record createdJanuary 7, 2010
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