The Sunday Christ thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture 1300-1600, Room 27

The Sunday Christ

Relief
ca. 1500 (made)
Artist/Maker
Place of origin

The Sunday Christ is a particular form of medieval imagery intended for parish audiences. The Sabbatarian movement promoted Sunday as a sacred day, believing that those who worked on Sunday contributed directly to Christ's suffering. Christ is portrayed as Man of Sorrows, flanked and pierced by workmen's tools. This figure would have been placed to a door or chapel and is the only known English example.
The figure was probably originally contained within a wooden tabernacle with shutters. This is a unique English medieval alabaster carving depicting the Sunday Christ.


Object details

Categories
Object type
TitleThe Sunday Christ (generic title)
Materials and techniques
Alabaster
Brief description
Relief, alabaster, 'The Sunday Christ', English, ca. 1500
Physical description
Christ is shown as a Man of Sorrows, but instead of being surrounded by the Instruments of his Passion, he is flanked by and often pierced by workmen's tools which are predominantly connected with agrarian labour. Three lead-filled holes are on the back for latten wire to attach it to a wooden background.
Dimensions
  • Height: 39cm
  • Width: 12cm
  • Depth: 4cm
Style
Gallery label
The Sunday Christ About 1500 England Alabaster Acquired with funds from the Hildburgh Bequest and contributions from Mr John Studzinski CBE and Mr and Mrs Paul Ruddock Museum no. A.1-2010(26/11/2010)
Credit line
Acquired with funds from the Hildburgh Bequest and contributions from Mr John Studzinski CBE and Mr and Mrs Paul Ruddock
Object history
Formerly in Portugal. Acquired from Sam Fogg Ltd in London for £25,000 by a dealer in Berkshire. Acquired with funds from the Hildburgh Bequest and contributions from Mr John Studzinski CBE and Mr and Mrs Paul Ruddock.

Historical significance: This is a unique English medieval alabaster carving depicting the Sunday Christ. The image was essentially moralising and admonitory, rather than devotional.
Historical context
The figure was probably originally contained within a wooden tabernacle with shutters. It would probably have been sited near the door to a church or chapel like the large figure of St Christopher.
Subject depicted
Summary
The Sunday Christ is a particular form of medieval imagery intended for parish audiences. The Sabbatarian movement promoted Sunday as a sacred day, believing that those who worked on Sunday contributed directly to Christ's suffering. Christ is portrayed as Man of Sorrows, flanked and pierced by workmen's tools. This figure would have been placed to a door or chapel and is the only known English example.
The figure was probably originally contained within a wooden tabernacle with shutters. This is a unique English medieval alabaster carving depicting the Sunday Christ.
Bibliographic reference
Davies Glyn and Townsend, Eleanor, ed. by, A Reservoir of Ideas: Essays in Honour of Paul Williamson, London, Paul Holberton Publishing in assoc with V&A Publishing, 2017, pp.16-17, fig.2
Collection
Accession number
A.1-2010

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Record createdJanuary 5, 2010
Record URL
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