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  • Place of origin:

    England (made)

  • Date:

    ca. 1835 (made)

  • Artist/Maker:


  • Materials and Techniques:

    Gold and chrysoprase

  • Credit Line:

    Given by Dame Joan Evans

  • Museum number:


  • Gallery location:

    Jewellery, Rooms 91, The William and Judith Bollinger Gallery, case 17, shelf C, box 3

This tiara has been made by pressing the gold into the required shape using a steel die stamping machine.

By the 1850s the jewellery trade had been transformed by consumer demand and technological innovation. Traditional techniques such as casting, chasing and engraving continued in high fashion pieces, but newer industrial methods created cheaper products for a mass market.

Flatted gold, rolled through machinery to a very thin sheet, could be stamped to make multiple standard components. Through the use of stamped collets, even the setting of gemstones required less handwork.

The expansion of the jewellery trade in Britain also benefited from the legalisation of three lower standards of gold alloys in 1854.

Physical description

Tiara , gold, set with chrysoprase.

Place of Origin

England (made)


ca. 1835 (made)



Materials and Techniques

Gold and chrysoprase


Height: 8.2 cm, Width: 13.9 cm, Depth: 4.5 cm

Descriptive line

Tiara, stamped gold, set with chrysoprase, England, about 1835

Bibliographic References (Citation, Note/Abstract, NAL no)

Shirley Bury, Jewellery 1789-1910, The International Era, Vol. 1. p.294, colour plate 72


Gold; Chrysoprase


Jewellery; Hats & headwear; Metalwork; Europeana Fashion Project


Metalwork Collection

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