Bracelet
ca. 1825 (made), 1819-1838 (marked)
| Artist/Maker | |
| Place of origin |
The bracelet has Paris warranty marks for 1819-38.
The colourful and flamboyant jewellery of the 1820s and 1830s could be set with up to a dozen different stones within a rich gold and coloured gold framework. Special manufacturing techniques and decorative effects were used to achieve an expensive finish using smaller amounts of gold. Although lightly made, this opulent jewellery looked heavier than earlier Neo-classical work.
The highly ornate filigree work of spirals (cannetille) and granules (grainti) added an appealing relief texture, but it was more popular on mainland Europe than in England, where clients preferred more substantial areas of plain gold.
The colourful and flamboyant jewellery of the 1820s and 1830s could be set with up to a dozen different stones within a rich gold and coloured gold framework. Special manufacturing techniques and decorative effects were used to achieve an expensive finish using smaller amounts of gold. Although lightly made, this opulent jewellery looked heavier than earlier Neo-classical work.
The highly ornate filigree work of spirals (cannetille) and granules (grainti) added an appealing relief texture, but it was more popular on mainland Europe than in England, where clients preferred more substantial areas of plain gold.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Enamelled gold, an amethyst and pearls |
| Brief description | Bracelet, coloured gold, decorated with enamel and set with an amethyst and pearls, France, about 1825 |
| Physical description | Bracelet, two colours of gold, decorated with enamel and set with an amethyst and pearls. |
| Dimensions |
|
| Marks and inscriptions | (Paris warranty marks for 1819-38.) |
| Credit line | Cory Bequest |
| Production | Paris warranty marks for 1819-38. |
| Summary | The bracelet has Paris warranty marks for 1819-38. The colourful and flamboyant jewellery of the 1820s and 1830s could be set with up to a dozen different stones within a rich gold and coloured gold framework. Special manufacturing techniques and decorative effects were used to achieve an expensive finish using smaller amounts of gold. Although lightly made, this opulent jewellery looked heavier than earlier Neo-classical work. The highly ornate filigree work of spirals (cannetille) and granules (grainti) added an appealing relief texture, but it was more popular on mainland Europe than in England, where clients preferred more substantial areas of plain gold. |
| Collection | |
| Accession number | M.91-1951 |
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| Record created | August 10, 2005 |
| Record URL |
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