Badge thumbnail 1
Not on display

Badge

16th century (made), post 16th century (altered)
Artist/Maker
Place of origin

Silver-gilt Badge of the Archer's guild with stones in gold settings, depicting above; the Annunciation, below a bishop saint and St. Sebastian, inscribed 'Donavit 1563' and with initials and dates ranging from 1551 to 1565. At some stage a leaf was substituted for a crucifix at the top. The main part of the badge is composed of a spanned crossbow or arbelast with a stirrup.

Object details

Categories
Object type
Materials and techniques
Silver-gilt with stones in gold settings
Brief description
Silver-gilt Badge of the Archer's guild with stones in gold settings, Flanders, mostly 16th century with later additions and alterations
Physical description
Silver-gilt Badge of the Archer's guild with stones in gold settings, depicting above; the Annunciation, below a bishop saint and St. Sebastian, inscribed 'Donavit 1563' and with initials and dates ranging from 1551 to 1565. At some stage a leaf was substituted for a crucifix at the top. The main part of the badge is composed of a spanned crossbow or arbelast with a stirrup.
Dimensions
  • Height: 9.5cm
  • Width: 4.8cm
  • Depth: 0.6cm
Marks and inscriptions
inscribed 'Donavit 1563' and with initials and dates ranging from 1551 to 1565
Object history
Provenance

Ralph Bernal (1783-1854) was a renowned collector and objects from his collection are now in museums across the world, including the V&A. He was born into a Sephardic Jewish family of Spanish descent, but was baptised into the Christian religion at the age of 22. Bernal studied at Christ's College, Cambridge, and subsequently became a prominent Whig politician. He built a reputation for himself as a man of taste and culture through the collection he amassed and later in life he became the president of the British Archaeological Society. Yet the main source of income which enabled him to do this was the profits from enslaved labour.

In 1811, Bernal inherited three sugar plantations in Jamaica, where over 500 people were eventually enslaved. Almost immediately, he began collecting works of art and antiquities. After the emancipation of those enslaved in the British Caribbean in the 1830s, made possible in part by acts of their own resistance, Bernal was awarded compensation of more than £11,450 (equivalent to over £1.5 million today). This was for the loss of 564 people enslaved on Bernal's estates who were classed by the British government as his 'property'. They included people like Antora, and her son Edward, who in August 1834 was around five years old (The National Archives, T 71/49). Receiving the money appears to have led to an escalation of Bernal's collecting.

When Bernal died in 1855, he was celebrated for 'the perfection of his taste, as well as the extent of his knowledge' (Christie and Manson, 1855). His collection was dispersed in a major auction during which the Museum of Ornamental Art at Marlborough House, which later became the South Kensington Museum (now the V&A), was the biggest single buyer.
Subjects depicted
Association
Bibliographic references
  • Christie and Manson, Catalogue of the Celebrated Collection of Works of Art, from the Byzantine Period to that of Louis Seize, of that Distinguished Collector, Ralph Bernal (London, 1855)
  • The National Archives of the UK (TNA): Slave Registers: Jamaica: St. Ann. (1) Indexed, 1832, T 71/49
  • Hannah Young, ''The perfection of his taste': Ralph Bernal, collecting and slave-ownership in 19th-century Britain', Cultural and Social History, 19:1 (2022), pp. 19-37
Collection
Accession number
2276-1855

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Record createdAugust 2, 2005
Record URL
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