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The Rhine Black Forest 1847

Sketchbook
1847 (drawn)
Artist/Maker
Place of origin

Many people in Britain in the nineteenth century wished to acquire the technique of sketching landscapes, and taught themselves, or took lessons from drawing masters. Following the example of such famous artists as Turner and David Cox, these amateurs, of which Newman Hall was one, sketched the more romantic aspects of the British landscape. He visited the dramatic mountain scenery to be found in the north of England, Scotland, and Wales, or the ancient churches and other mediaeval buildings, showing a keen nostalgia for the romantic past preserved in Britain or in northern Europe. Newman Hall, like many others, would sketch in the open air, pausing perhaps during a walking-tour to record a particularly attractive view.


Object details

Category
Object type
TitleThe Rhine Black Forest 1847 (assigned by artist)
Materials and techniques
Pencil on paper
Brief description
Sketchbook containing landscape sketches of the Rhine and the Black Forest, probably by Christopher Newman Hall, Rhineland, 1847
Physical description
Sketchbook containing 43 landscape sketches of the Rhine and the Black Forest. Half bound in morocco, with marbled boards, front cover lettered in gilt 'The Rhine Black Forest 1847'.
Dimensions
  • Cover height: 16.7cm
  • Cover width: 27.5cm
Style
Credit line
Given by Hampstead Museum
Object history
This sketchbook is one of five by a competent artist, probably the famous Victorian preacher and hymn-writer, [Christopher] Newman Hall. He died at Vine House, Hampstead, in 1902. Four similar notebooks, dated from the 1870s to the 1880s [one inscribed `Newman Hall'] came at the same time to the Hampstead Museum. All these notebooks and sketchbooks were probably at 17 Dennings Road where the Holton family moved in about sixty years ago. The owner then was Miss Ethel Playle who died in the 1950s. Mrs Rose Holton gave the notebooks and sketchbooks to Hampstead Museum, which subsequently donated the sketchbooks to the Victoria and Albert Museum.
Subject depicted
Place depicted
Summary
Many people in Britain in the nineteenth century wished to acquire the technique of sketching landscapes, and taught themselves, or took lessons from drawing masters. Following the example of such famous artists as Turner and David Cox, these amateurs, of which Newman Hall was one, sketched the more romantic aspects of the British landscape. He visited the dramatic mountain scenery to be found in the north of England, Scotland, and Wales, or the ancient churches and other mediaeval buildings, showing a keen nostalgia for the romantic past preserved in Britain or in northern Europe. Newman Hall, like many others, would sketch in the open air, pausing perhaps during a walking-tour to record a particularly attractive view.
Collection
Accession number
E.3667:1 to 43-2004

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Record createdJuly 18, 2005
Record URL
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