Drawing thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level E , Case A, Shelf 149, Box C

Drawing

1880-1900 (made)
Artist/Maker
Place of origin

John Dibblee Crace first came to public notice through his Gothic- and Renaissance-style furniture for the International Exhibition of 1862. His clients included the 4th Marquess of Bath for whom he redocorated Longleat, and William Waldorf Astor who commissioned him to decorate Cliveden (ca. 1895).

The Crace family were the most important firm of interior decorators working in Britain in the 19th century. They worked for every British monarch from George III to Queen Victoria and on a range of buildings that includes royal palaces, Leeds Town Hall and the Great Exhibition building of 1862.


Object details

Category
Object type
Materials and techniques
Pencil and wash
Brief description
Design by J.D. Crace with sketches of cherubs, a female nude figure and an additional design on reverse.
Physical description
Design drawings with additional sketches on reverse.
Dimensions
  • Height: 314mm
  • Width: 244mm
Style
Production typeDesign
Marks and inscriptions
Signed 'J.D.C.'
Summary
John Dibblee Crace first came to public notice through his Gothic- and Renaissance-style furniture for the International Exhibition of 1862. His clients included the 4th Marquess of Bath for whom he redocorated Longleat, and William Waldorf Astor who commissioned him to decorate Cliveden (ca. 1895).

The Crace family were the most important firm of interior decorators working in Britain in the 19th century. They worked for every British monarch from George III to Queen Victoria and on a range of buildings that includes royal palaces, Leeds Town Hall and the Great Exhibition building of 1862.
Bibliographic reference
Megan Aldrich, The Craces: royal decorators 1768-1899, London, Murray, 1990.
Collection
Accession number
E.599-2009

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Record createdNovember 26, 2009
Record URL
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