Not on display

Madame Vestris as Oberon King of the Fairies

Tinsel Print
Artist/Maker

Madam Vestris played Oberon, the King of the Fairies in Shakespeare's A Midsummer Night's Dream at Covent Garden Theatre which she leased with her husband Charles Mathews from 1839 until 1842. The production was innovatory for being the first in two hundred years to attempt to restore Shakespeare's text to the play, and Madam Vestris was widely praised for its splendid scenes and music. She was the first in London to use Mendelssohn's full score, along with some Beethoven for Oberon's incantation, and portions of Weber's Precosia for a ballet at Titania and Bottom's exit.

Vestris is shown in this print with the spear she carried in the role, wearing a crown and a knee-length gathered tunic that showed her shapely legs for which she was renowned

Tinsel prints were created from etched portraits of theatrical stars in popular roles they played on the London stage. They were hand-painted in watercolour and decorated with scraps of material and tinsel additions. They were popular during the first half of the 19th century and were considered an adult, rather than a child's hobby. By the 1830s it was possible to buy the tinsel, leather and feather ornaments to go with each image.

Object details

Categories
Object type
TitleMadame Vestris as Oberon King of the Fairies
Materials and techniques
Etching on paper, hand-coloured with tinsel and leather additions
Brief description
Tinsel print depicting Madame Vestris as Oberon, King of the Fairies, in A Midsummer Night's Dream by William Shakespeare, Covent Garden Theatre, 16 November 1840. Etching printed by A. Park, 47 Leonard St., Finsbury.
Dimensions
  • Framed height: 20.1cm
  • Framed width: 17.6cm
Credit line
Accepted by HM Government in lieu of Inheritance Tax and allocated to the Victoria and Albert Museum, 1996
Object history
Associated production: A Midsummer Night's Dream. Drama by William Shakespeare.
Subjects depicted
Summary
Madam Vestris played Oberon, the King of the Fairies in Shakespeare's A Midsummer Night's Dream at Covent Garden Theatre which she leased with her husband Charles Mathews from 1839 until 1842. The production was innovatory for being the first in two hundred years to attempt to restore Shakespeare's text to the play, and Madam Vestris was widely praised for its splendid scenes and music. She was the first in London to use Mendelssohn's full score, along with some Beethoven for Oberon's incantation, and portions of Weber's Precosia for a ballet at Titania and Bottom's exit.

Vestris is shown in this print with the spear she carried in the role, wearing a crown and a knee-length gathered tunic that showed her shapely legs for which she was renowned

Tinsel prints were created from etched portraits of theatrical stars in popular roles they played on the London stage. They were hand-painted in watercolour and decorated with scraps of material and tinsel additions. They were popular during the first half of the 19th century and were considered an adult, rather than a child's hobby. By the 1830s it was possible to buy the tinsel, leather and feather ornaments to go with each image.
Associated objects
Collection
Accession number
S.589-1997

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Record createdOctober 20, 2009
Record URL
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