Box thumbnail 1
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Not currently on display at the V&A

Box

ca. 1760-70 (made)
Artist/Maker
Place of origin

This snuffbox has elements of both the rococo and neo-classicism. Its rectangular shape is echoed by the panels of simulated bloodstone and by the rectangular frames on each surface. Around the edge of the lid runs a line of Vitruvian scroll. The enamelling is monochrome. All this suggests a neo-classical design, but there is much that is rococo: the panels of simulated bloodstone are enclosed in long scrolls, the corners of lid and base have flowers in shaped reserves, and the enamelled scenes have completely irregular outlines.

The box is unmarked. It has long been attributed to Vienna, but Berlin might also be possible.


Object details

Categories
Object type
Materials and techniques
Engraved, chased and enamelled gold decorated <i>en camaïeu rose</i>
Brief description
Engraved and enamelled gold box, decorated with love scenes en camaïeu rose and set with panels in imitation of bloodstone, possibly Austria or Germany, ca.1760-70
Physical description
Enamelled, engraved and chased gold box, decorated with love scenes en camaïeu rose and set with enamel panels in imitation of bloodstone. The ornament on the gold is predominantly engraved. At the corners of lid and base are flowers on a ground matted with a circular punch.

Enamel scenes: 1. Lid: Bacchus and Ariadne with panther and two cupids. 2. Side, front: one seated woman and one semi-reclining woman with a basket of grapes. 3. Side, right: two putti with grapes. 4. Side, back: two women, one seated, one semi-reclining. 5. Side, left: two putti with grapes. 6. Zephyr and Flora with cupid.
Dimensions
  • Height: 3.6cm
  • Width: 8cm
  • Depth: 6cm
Credit line
Bequeathed by John Jones
Object history
Bequeathed with the Jones Collection to the South Kensington Museum, and accessioned in 1882.
Subjects depicted
Summary
This snuffbox has elements of both the rococo and neo-classicism. Its rectangular shape is echoed by the panels of simulated bloodstone and by the rectangular frames on each surface. Around the edge of the lid runs a line of Vitruvian scroll. The enamelling is monochrome. All this suggests a neo-classical design, but there is much that is rococo: the panels of simulated bloodstone are enclosed in long scrolls, the corners of lid and base have flowers in shaped reserves, and the enamelled scenes have completely irregular outlines.

The box is unmarked. It has long been attributed to Vienna, but Berlin might also be possible.
Bibliographic references
  • Catalogue of the Jones Collection Part II.-Ceramics, Ormolu, Goldsmiths' Work, Enamels etc.. London: Board of Education, 1924.
  • Baier, Winfried. Prunk-Tabatièren Friedrichs des Groβen. Munich, 1993. Catalogue for exhibition mounted by the Stiftung Schlösser und Gärten Potsdam-Sanssouci, 14 March - 25 April 1993.
Collection
Accession number
924-1882

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Record createdJune 30, 2005
Record URL
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