In the later 19th century, Qajar artists began to imitate the art of the Safavid period. In ceramics, Qajar potters, such as Ali Muhammad Isfahani, copied the colourful, monumental seventeenth-century tile panels that decorated palaces in Isfahan. Many of these included elegant courtiers drinking wine in lush gardens (see for example V&A 139-1891), as here, scenes also found in Isfahan miniatures. This single tile reproduces one of these multi-tiled picnic scenes. The composition is centered on a pair of figures, a young man in seventeenth-century style costume wearing a European hat and cloak, and a young woman reclining in an elaborate robe and scarf.

This tile was commissioned around 1884-5, by a French composer of military music, Alfred Lemaire (1842-1907). From 1868, he was working at Tehran's Dar al Funun (Abode of Sciences), a technical college, training the staff to teach music; he later composed Iran's first national anthem. It was part of a set, including a fireplace surround, completed for him in the same year (see 510, 511, 512 & 522-1889). By 1889, they were displayed in Paris, at the Exposition Universelle, when owned by the French photographer Jules Richard (1816-1891), who had also worked at the college; he was the first foreign photographer to serve at the Iranian court.

At the request of Major General Sir Robert Murdoch Smith KCMG, who puchased the Richard Collection for the South Kensington Museum (later the V&A), the potter Ali Muhammad Isfahani, recorded his methods and materials in a treatise On the Manufacture of Modern Kashi Earthenware Tiles and Vases, published in Edinburgh in 1888. Kashi, or Kasi, was the name used for enameled pottery and tile-mosaic work, as practiced in Iran and India

Fritware is a mixture of finely ground white flint stone and white clay. It is molded into flat panels and painted in colours based on minerals and metals, such as blue from cobalt, purple from manganese, black from chromium, yellow from iron or antimony, turquoise and green from copper, when dried it is covered with a transparent colourless alkaline glaze. Many of the colours run into the glaze during firing, so the outlines are drawn in black for sharper designs.