The Combat thumbnail 1
The Combat thumbnail 2
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level H , Case WD, Shelf 43

The Combat

Drawing
1910 (made)
Artist/Maker
Place of origin

This drawing depicts a dramatic nightmare battle between an angel and a devil. The mysteries associated with the night fascinated the British artist Paul Nash (1889-1946). He explored the notion that sometimes only the trees witnessed events that took place after dark.

In an accompanying poem Nash describes this scene.

‘A place of gibbet-shapen trees and black abyss
Where gaunt hills brooded dark and evil
Girdled by dense wet woods and rushing streams
A dread place seen only in dreams
Of which there is no history but this
That on yon' stony tor
An angel fought a devil.’


Object details

Categories
Object type
Titles
  • The Combat (assigned by artist)
  • Angel or Devil (assigned by artist)
Materials and techniques
Pen, ink and wash
Brief description
Drawing, The Combat, by Paul Nash, pencil, ink and wash, 1910.
Physical description
Pencil, ink and wash drawing of a male figure fighting a bird-like creature on the top of a hill.
Dimensions
  • Height: 35.6cm
  • Width: 25.8cm
Dimensions taken from Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1962. London: HMSO, 1964.
Marks and inscriptions
'P. N.' (Signed with monogram)
Credit line
Given by the Paul and Margaret Nash Trust, in accordance with the wishes of Margaret Nash
Object history
This drawing was formerly entitled 'Angel and Devil '. See Margot Eastes, Paul Nash, 1948, p.50; Paul Nash, Outline, 1949, repr. p.64; Anthony Bertram, Paul Nash, 1955, p.61, 62, 280, 319. It was exhibited at the Oxford Arts Club, 1931 (No.11). It was exhibited at the Oxford Arts Club, 1931 (No.11).
Subjects depicted
Summary
This drawing depicts a dramatic nightmare battle between an angel and a devil. The mysteries associated with the night fascinated the British artist Paul Nash (1889-1946). He explored the notion that sometimes only the trees witnessed events that took place after dark.

In an accompanying poem Nash describes this scene.

‘A place of gibbet-shapen trees and black abyss
Where gaunt hills brooded dark and evil
Girdled by dense wet woods and rushing streams
A dread place seen only in dreams
Of which there is no history but this
That on yon' stony tor
An angel fought a devil.’
Bibliographic references
  • Eates, Margot, Paul Nash , 1948, p.50
  • Nash, Paul, Outline , 1949
  • Bertram, Anthony, Paul Nash , 1955, pp 61, 62, 280, 319
  • Nash, Paul, Paul Nash, paintings and watercolours, London, Tate Gallery Publications, 1975 p.47
  • ed. Michael Bracewell, Martin Clark and Alun Rowlands, The Dark Monarch: Magic & Modernity in British Art London: Tate Publishing, 2009. ISBN: 9781854378743.
  • Jenkins, David Fraser, Paul Nash: the elements, London, Dulwich Picture Gallery, 2010.
  • Victoria & Albert Museum Department of Prints and Drawings and Department of Paintings, Accessions 1962. London: HMSO, 1964.
  • David Boyd HaycockNash, Nevinson, Spencer, Gertler, Carrington, Bomberg. A Crisis of Brilliance 1908-22 London: Dulwich Picture Gallery, 2013. ISBN: 9781857598186.
  • p. 68 Emma Chambers, ed. Paul Nash London : Tate Publishing, 2016. 9781849764919
Other number
No.11 (Oxford Arts Club, 1931) - Exhibition number
Collection
Accession number
P.16-1962

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Record createdJune 28, 2005
Record URL
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