Bowl thumbnail 1
Bowl thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
China, Room 44, The T.T. Tsui Gallery

Bowl

1175-1300 (made)
Artist/Maker
Place of origin

The history of Chinese ceramics is a fascinating story of innovation and discovery. This bowl is a good example of one of the crucial innovations of the Jin dynasty (1115-1234).

Prior to the 13th Century, Chinese potters created their wares by forming the body of the piece, glazing and then firing it in a kiln. As colourful glazes became more popular, potters were limited by the fact that many glazes ran together during firing, blurring their design.

Around 1200, at various kilns, potters began to initially cover the body with a transparent glaze and fire it to the very high temperatures required for the clay to harden fully. Then, the colourful enamels were painted onto the surface and the whole piece was re-fired to the lower firing temperature of the enamels. The result of this experiment was to evolve into the elaborate and colourful 'overglaze enamel' designs of later centuries.


Object details

Category
Object type
Materials and techniques
stoneware, painted and glazed
Brief description
Bowl, stoneware painted in coloured enamels, Cizhou ware, China, Jin dynasty, 1175-1300
Physical description
Cizhou ware bowl painted with coloured enamels
Dimensions
  • Diameter: 15.9cm
  • Height: 6cm
Style
Gallery label
Bowl with peony design Jin dynasty 1175-1300 Cizhou kilns, north China The Cizhou potters were the first to experiment with painting with coloured enamels. The bowl had to be fired twice, first to bake the body, then again at a lower temperature after the painting was done to fix the enamels. Stoneware painted in coloured enamels Museum no. C.65-1931(2007)
Subjects depicted
Summary
The history of Chinese ceramics is a fascinating story of innovation and discovery. This bowl is a good example of one of the crucial innovations of the Jin dynasty (1115-1234).

Prior to the 13th Century, Chinese potters created their wares by forming the body of the piece, glazing and then firing it in a kiln. As colourful glazes became more popular, potters were limited by the fact that many glazes ran together during firing, blurring their design.

Around 1200, at various kilns, potters began to initially cover the body with a transparent glaze and fire it to the very high temperatures required for the clay to harden fully. Then, the colourful enamels were painted onto the surface and the whole piece was re-fired to the lower firing temperature of the enamels. The result of this experiment was to evolve into the elaborate and colourful 'overglaze enamel' designs of later centuries.
Bibliographic reference
Kerr, Rose. Song Dynasty Ceramics. London:V&A Publications, 2004. p. 76, no. 76.
Collection
Accession number
C.65-1931

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 20, 2005
Record URL
Download as: JSONIIIF Manifest