Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Rape of the Sabines

Plaquette
1500-1540 (made)
Artist/Maker
Place of origin

Plaquettes are small plaques made of bronze, brass, lead or precious metals. They originated in the 1440s with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector’s pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings. Bernardi moved from Ferrara to Rome in 1530. He worked primarily for the cardinal and papal courts and became known as an engraver of rock crystals. Many of his plaquettes are based on these carvings. This example was taken from a crystal plaque in the collection of Cardinal Ippolito de’ Medici.

The Rape of the Sabines is a legend in the early history of Rome. According to that Romulus, the founder of the city, used a trick to secure the future population of Rome. He organised a festival where the neighbouring inhabitants were invited, including the Sabines along with their wives and children. At a certain signal Rome's young men went into the crowd and carried away the unmarried wives. Plutarch has described to this legend the origin of the custom of lifting up a bride and carrying her over the doorstep of her husband's house.


Object details

Categories
Object type
TitleThe Rape of the Sabines (generic title)
Materials and techniques
Bronze
Brief description
Plaquette, bronze by Giovanni Bernardi, Italy, 1500-40
Physical description
Five Sabine Women are being seized by armed Romans, five more of whom appear behind. In the background are three towers. Signed in the exergue: IOAN.DE.CASTRO BON.
Dimensions
  • Height: 6.55cm
  • Width: 7.6cm
Marks and inscriptions
IOAN.DE.CASTRO BON (Signed in the exergue)
Object history
Acquired in Florence for 8s, in 1861.
Subjects depicted
Summary
Plaquettes are small plaques made of bronze, brass, lead or precious metals. They originated in the 1440s with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector’s pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings. Bernardi moved from Ferrara to Rome in 1530. He worked primarily for the cardinal and papal courts and became known as an engraver of rock crystals. Many of his plaquettes are based on these carvings. This example was taken from a crystal plaque in the collection of Cardinal Ippolito de’ Medici.

The Rape of the Sabines is a legend in the early history of Rome. According to that Romulus, the founder of the city, used a trick to secure the future population of Rome. He organised a festival where the neighbouring inhabitants were invited, including the Sabines along with their wives and children. At a certain signal Rome's young men went into the crowd and carried away the unmarried wives. Plutarch has described to this legend the origin of the custom of lifting up a bride and carrying her over the doorstep of her husband's house.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1861 In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 31
  • Maclagan, Eric. Catalogue of Italian Plaquettes . London: Victoria and Albert Museum, 1924, p.70
Collection
Accession number
7380-1861

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Record createdMay 10, 2005
Record URL
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