The Sacrifice of a Swine thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Sacrifice of a Swine

Plaquette
1475-1500 (made)
Artist/Maker
Place of origin

Plaquettes are small plaques made of bronze, brass, lead or precious metals. They originated in the 1440s with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector’s pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings. Several examples of this relief survive. The design resembles an engraving of the same subject by Girolamo Mocetto, an artist who was contemporary to Riccio. It is not clear whether the engraving is the source of the relief, or whether both derive from a classical origin.


Object details

Categories
Object type
TitleThe Sacrifice of a Swine (generic title)
Materials and techniques
Bronze
Brief description
Plaquette, bronze, the sacrifice of a swine, by Riccio, Italy (Padua), 1475-1500
Physical description
Plaquette depicts two naked youths preparing a scarifice of a swine, hledc on teh ground in front of an altar, on which a priest is kindling fire. With worshippers present. In teh background an architectural perspective.
Dimensions
  • Height: 7.5cm
  • Width: 9.15cm
Credit line
Salting Bequest
Object history
From the Salting bequest.
Subjects depicted
Summary
Plaquettes are small plaques made of bronze, brass, lead or precious metals. They originated in the 1440s with the desire to reproduce coins and hardstone engravings from ancient Greece and Rome. Some were made as collector’s pieces, to be viewed and displayed in private, and others for practical purposes. They also inspired designs in other media, from architecture to bookbindings. Several examples of this relief survive. The design resembles an engraving of the same subject by Girolamo Mocetto, an artist who was contemporary to Riccio. It is not clear whether the engraving is the source of the relief, or whether both derive from a classical origin.
Bibliographic references
  • 'Salting Bequest (A. 70 to A. 1029-1910) / Murray Bequest (A. 1030 to A. 1096-1910)'. In: List of Works of Art Acquired by the Victoria and Albert Museum (Department of Architecture and Sculpture). London: Printed under the Authority of his Majesty's Stationery Office, by Eyre and Spottiswoode, Limited, East Harding Street, EC, p. 65
  • Maclagan, Eric. Catalogue of Italian Plaquettes . London: Victoria and Albert Museum, 1924, p. 23
  • Pope-Hennessy, John. Renaissance Bronzes from the Samuel H. Kress Collection. Reliefs - Plaquettes - Statuettes - Utensils and Mortars . London: 1965, p. 65, no 217, fig 114
Collection
Accession number
A.415-1910

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Record createdMay 10, 2005
Record URL
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