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Le Bal

Theatre Costume
ca. 1929 (made)
Artist/Maker
Place of origin

Costume for a Male Guest, referred to as a general, for George Balanchine's ballet Le Bal(The Ball), a modern ballet in one act and two scenes had sets and costumes designed Giorgio de Chirico, which was created for Serge Diaghilev’s Ballets Russes at the Théâtre de Monte Carlo on 7 May 1929. The musical score was by Vittorio Rieti, the narrative by Boris Kochno, after a story by Count Vladimir Sologub, and it was choreographed in 1929 by George Balanchine. The costumes executed under the direction of Mme A. Youkine. The original ballet had 15 performances being presented only during the last season of Serge Diaghilev’s Ballets Russes in Monte Carlo, Paris, Berlin and London where it was first performed on 26 July 1929 also at the Royal Opera House, Covent Garden, London.
Propert seeing Le Bal in London found it trivial but said 'it had a lunar magc that defied logic and carried one beyond the boundaries of the everyday world'. ‘It was very much a painter’s ballet, and for those who like the little round of de Chirico’s mannerisms it must have been a feast'.

A similar costume is located in the Dance Museum in Stockholm and the design for the costume is at the Wadsworth Atheneum, Hartford. Although in the design the sash is worn across the chest in performance it ent shoulder to shoulder.


Object details

Categories
Object type
Parts
This object consists of 2 parts.
(Some alternative part names are also shown below)
  • Theatre Costume
  • Dance Costume
  • Jacket
  • Theatre Costume
  • Dance Costume
  • Trousers
TitleLe Bal (generic title)
Brief description
Costume for a Male Guest in Balanchine's ballet Le Bal, designed by Giorgio de Chirico, Diaghilev Ballet, 1929
Physical description
Costume designed by Giorgio de Chirico for a Male Guest in Balanchine's ballet Le Bal created for Serge Diaghilev's Ballets Russes 1929.
Tail coat, the front and front sleeves of grey gaberdine, the back and back sleeves of white flannel with stiffened terracotta epaulettes and appliqued 'medals'. The white cloth collar and cuffs are outlined and painted in black and the simulated white silk cummerbund is painted with black fish-scales. Across the chest is a terracotta silk sash with a wool fringe. On the back is a grenade with three lightning flashes in yellow silk highlighted terracotta and black and terracotta and black lightening below.
Trousers in white flannel with a side stripe divided into alternate salmon pink and blue elongated triangles.
Dimensions
  • Total hanging weight of costume weight: 1.9kg
Object history
Sold at Sale of Costumes and Curtains from Diaghilev and de Basil Ballets at the Scala Theatre, London by Sotheby & Co 17 July 1968 the three items purchased by Richard Buckle for the Friends of the Museum of Performance
Subject depicted
Place depicted
Summary
Costume for a Male Guest, referred to as a general, for George Balanchine's ballet Le Bal(The Ball), a modern ballet in one act and two scenes had sets and costumes designed Giorgio de Chirico, which was created for Serge Diaghilev’s Ballets Russes at the Théâtre de Monte Carlo on 7 May 1929. The musical score was by Vittorio Rieti, the narrative by Boris Kochno, after a story by Count Vladimir Sologub, and it was choreographed in 1929 by George Balanchine. The costumes executed under the direction of Mme A. Youkine. The original ballet had 15 performances being presented only during the last season of Serge Diaghilev’s Ballets Russes in Monte Carlo, Paris, Berlin and London where it was first performed on 26 July 1929 also at the Royal Opera House, Covent Garden, London.
Propert seeing Le Bal in London found it trivial but said 'it had a lunar magc that defied logic and carried one beyond the boundaries of the everyday world'. ‘It was very much a painter’s ballet, and for those who like the little round of de Chirico’s mannerisms it must have been a feast'.

A similar costume is located in the Dance Museum in Stockholm and the design for the costume is at the Wadsworth Atheneum, Hartford. Although in the design the sash is worn across the chest in performance it ent shoulder to shoulder.
Collection
Accession number
S.859&A-1980

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Record createdJuly 1, 2009
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