Le Bal
Theatre Costume
ca. 1929 (made)
ca. 1929 (made)
Artist/Maker | |
Place of origin |
Costume for a Male Guest, referred to as a general, for George Balanchine's ballet Le Bal(The Ball), a modern ballet in one act and two scenes had sets and costumes designed Giorgio de Chirico, which was created for Serge Diaghilev’s Ballets Russes at the Théâtre de Monte Carlo on 7 May 1929. The musical score was by Vittorio Rieti, the narrative by Boris Kochno, after a story by Count Vladimir Sologub, and it was choreographed in 1929 by George Balanchine. The costumes executed under the direction of Mme A. Youkine. The original ballet had 15 performances being presented only during the last season of Serge Diaghilev’s Ballets Russes in Monte Carlo, Paris, Berlin and London where it was first performed on 26 July 1929 also at the Royal Opera House, Covent Garden, London.
Propert seeing Le Bal in London found it trivial but said 'it had a lunar magc that defied logic and carried one beyond the boundaries of the everyday world'. ‘It was very much a painter’s ballet, and for those who like the little round of de Chirico’s mannerisms it must have been a feast'.
A similar costume is located in the Dance Museum in Stockholm and the design for the costume is at the Wadsworth Atheneum, Hartford. Although in the design the sash is worn across the chest in performance it ent shoulder to shoulder.
Propert seeing Le Bal in London found it trivial but said 'it had a lunar magc that defied logic and carried one beyond the boundaries of the everyday world'. ‘It was very much a painter’s ballet, and for those who like the little round of de Chirico’s mannerisms it must have been a feast'.
A similar costume is located in the Dance Museum in Stockholm and the design for the costume is at the Wadsworth Atheneum, Hartford. Although in the design the sash is worn across the chest in performance it ent shoulder to shoulder.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts. (Some alternative part names are also shown below)
|
Title | Le Bal (generic title) |
Brief description | Costume for a Male Guest in Balanchine's ballet Le Bal, designed by Giorgio de Chirico, Diaghilev Ballet, 1929 |
Physical description | Costume designed by Giorgio de Chirico for a Male Guest in Balanchine's ballet Le Bal created for Serge Diaghilev's Ballets Russes 1929. Tail coat, the front and front sleeves of grey gaberdine, the back and back sleeves of white flannel with stiffened terracotta epaulettes and appliqued 'medals'. The white cloth collar and cuffs are outlined and painted in black and the simulated white silk cummerbund is painted with black fish-scales. Across the chest is a terracotta silk sash with a wool fringe. On the back is a grenade with three lightning flashes in yellow silk highlighted terracotta and black and terracotta and black lightening below. Trousers in white flannel with a side stripe divided into alternate salmon pink and blue elongated triangles. |
Dimensions |
|
Object history | Sold at Sale of Costumes and Curtains from Diaghilev and de Basil Ballets at the Scala Theatre, London by Sotheby & Co 17 July 1968 the three items purchased by Richard Buckle for the Friends of the Museum of Performance |
Subject depicted | |
Place depicted | |
Summary | Costume for a Male Guest, referred to as a general, for George Balanchine's ballet Le Bal(The Ball), a modern ballet in one act and two scenes had sets and costumes designed Giorgio de Chirico, which was created for Serge Diaghilev’s Ballets Russes at the Théâtre de Monte Carlo on 7 May 1929. The musical score was by Vittorio Rieti, the narrative by Boris Kochno, after a story by Count Vladimir Sologub, and it was choreographed in 1929 by George Balanchine. The costumes executed under the direction of Mme A. Youkine. The original ballet had 15 performances being presented only during the last season of Serge Diaghilev’s Ballets Russes in Monte Carlo, Paris, Berlin and London where it was first performed on 26 July 1929 also at the Royal Opera House, Covent Garden, London. Propert seeing Le Bal in London found it trivial but said 'it had a lunar magc that defied logic and carried one beyond the boundaries of the everyday world'. ‘It was very much a painter’s ballet, and for those who like the little round of de Chirico’s mannerisms it must have been a feast'. A similar costume is located in the Dance Museum in Stockholm and the design for the costume is at the Wadsworth Atheneum, Hartford. Although in the design the sash is worn across the chest in performance it ent shoulder to shoulder. |
Collection | |
Accession number | S.859&A-1980 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | July 1, 2009 |
Record URL |
Download as: JSON