Theatre Costume
1928 (made)
Silver-grey rayon crinoline dress designed by Pavel Tcheletchew, worn by a female member of the corps de ballet in Ode. Large square mirror 'sequins' form stars n the skirt and and on the shoulder picked out by the elaborate stage lighting. The dress is worn with a fencing mask and long black gloves to make the dancer anonymous. The setting includes a suspended pyramid of dolls dressed similarly in crinolines to give a sense of distance.
Ode was a revolutionary ballet that used film and light and a set of gauzes and ropes to create its ambiance. he critic A V Coton claimed the ballet had an unearthly beauty and was quite different from other works on the stage in 1928.
Ode was a revolutionary ballet that used film and light and a set of gauzes and ropes to create its ambiance. he critic A V Coton claimed the ballet had an unearthly beauty and was quite different from other works on the stage in 1928.
Object details
| Categories | |
| Object type | |
| Parts | This object consists of 2 parts. (Some alternative part names are also shown below)
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| Materials and techniques | Rayon dress, tarleton, cotton lining, cotton jersey, steel, 'stars' of molded plastic paillettes |
| Brief description | Costume for a Figurante in Massine's ballet Ode designed by Pavel Tchelitchev, Diaghilev Ballet, 1928. |
| Physical description | Costume for a Figurante in Massine's ballet Ode designed by Pavel Tchelitchev, Diaghilev Ballet, 1928. |
| Dimensions |
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| Object history | Apparently the Friends of the Museum of Performance acquired Lot 221 from the Sotheby auction of Costumes and Curtains from the Diaghilev and de Basil Ballets on 3 March 1973. Described as 'Eight dresses, two fencing masks and three leotards it does not exactly match the material in the V&A. The costumes were previously the property of the Diaghilev and de Basil Foundation Ltd. |
| Summary | Silver-grey rayon crinoline dress designed by Pavel Tcheletchew, worn by a female member of the corps de ballet in Ode. Large square mirror 'sequins' form stars n the skirt and and on the shoulder picked out by the elaborate stage lighting. The dress is worn with a fencing mask and long black gloves to make the dancer anonymous. The setting includes a suspended pyramid of dolls dressed similarly in crinolines to give a sense of distance. Ode was a revolutionary ballet that used film and light and a set of gauzes and ropes to create its ambiance. he critic A V Coton claimed the ballet had an unearthly beauty and was quite different from other works on the stage in 1928. |
| Collection | |
| Accession number | S.846&A-1980 |
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| Record created | July 1, 2009 |
| Record URL |
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