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The Mountain of Hell thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

The Mountain of Hell

Group
1550-1560 (made)
Artist/Maker
Place of origin

The sculptor Agostino Zoppo was trained in bronze-casting. He was employed as a founder by Jacopo Sansovino, the leading sculptor in Venice during the sixteenth century. Two pairs of Mountains of Hell are mentioned in the inventory of Zoppo's studio after his death.
The subject of the Mountain of Hell shows the rescue of Alcestis from the Underworld by the Greek hero Hercules. Sisyphus is carrying a boulder, Hercules is now lost. There are holes in the eyes and mouths of some figures for emenating smoke, indicating that the scene probably formed the lid of a perfume burner.
This version is a later cast than another version in the museum (A.62-1953), but based on the same model, with added pipes projecting from the mouths of the figures.


Object details

Categories
Object type
TitleThe Mountain of Hell (generic title)
Materials and techniques
Bronze
Brief description
Group, bronze, Mountain of Hell, after a model by Agostino Zoppo, Italy (Padua), model ca. 1550-1560
Physical description
The subject of the Mountain of Hell shows the rescue of Alcestis from the Underworld by the Greek hero Hercules. Sisyphus is carrying a boulder, Hercules is now lost. Holes in the eyes and mouths of some figures for emenating smoke.
Dimensions
  • Height: 28cm
  • Width: 24cm
  • Weight: 4.9kg
  • Weight: 4.9kg
Object history
Bought from A. Spero, for £750, in 1953.
Production
1550-1560 for the model
Subjects depicted
Summary
The sculptor Agostino Zoppo was trained in bronze-casting. He was employed as a founder by Jacopo Sansovino, the leading sculptor in Venice during the sixteenth century. Two pairs of Mountains of Hell are mentioned in the inventory of Zoppo's studio after his death.
The subject of the Mountain of Hell shows the rescue of Alcestis from the Underworld by the Greek hero Hercules. Sisyphus is carrying a boulder, Hercules is now lost. There are holes in the eyes and mouths of some figures for emenating smoke, indicating that the scene probably formed the lid of a perfume burner.
This version is a later cast than another version in the museum (A.62-1953), but based on the same model, with added pipes projecting from the mouths of the figures.
Bibliographic references
  • Pope-Hennessy, John. 'Two Paduan Bronzes', in: The Burlington Magazine, 1954, p. 9
  • Seymour Jr., Charles Sculpture in Italy 1400-1500 Pelican History of Art, Harmondsworth, 1966, p. 202, pl. 144
Collection
Accession number
A.63-1953

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Record createdApril 18, 2005
Record URL
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