Cup and cover thumbnail 1

Cup and cover

Cup and Cover
1681 (made)
Artist/Maker
Place of origin

Throughout the ages artists and craftsmen have made virtuoso carvings as a display of their skill and ingenuity. Although ivory, wood and stone are relatively easy to carve, other materials such as gemstones are much more demanding. Most of these carvings were made for wealthy patrons and collectors, who delighted in the rarity of the material and quality of the carving.

The sculptor of this cup and cover, Philipp Senger (Filippo Sengher) was an ivory turner to Cosimo III, Grand Duke of Tuscany (1642-1723) and made this object in 1681. He appears to have made this piece entirely on a lathe, including the figure that supports the cup. The elegant shape recalls silver vessels, but it was designed as a work of art and was not destined to function as a goblet.

This virtuoso piece epitomises the artist's skill as a turner. It is interesting to see here that the one figurative element, the supporting putto, is turned, rather than carved.

Object details

Categories
Object type
TitleCup and cover (named collection)
Materials and techniques
Ivory
Brief description
Cup and cover, ivory, by Philipp Senger (Filippo Sengher), German, made in Italy (Tuscany), 1681
Physical description
Cup and cover, supported by a standing putto, partially draped. Inscribed.
Dimensions
  • Height: 34cm
  • Width: 14cm
  • Depth: 10cm
  • Weight: 0.240kg
Marks and inscriptions
  • 'FIL . SENGER . TORN. DEL . S. G. D. DI.TOSCANA . INVENT' (Inscibed under base with inked-in background)
    Translation
    'Filippo Senger tornitore del signor granduca di Toscana invenit; Filippo Senger turner to the Grand Duke of Tuscany designed this'
  • 'ANCHE LA FIGVRA . E. FATTA AL TORNO .A. 1681' (Inscribed inside the bottom of the bowl with inked-in background)
    Translation
    'The figure was also turned in 1681'
Object history
Purchased for £11 8s. at the sale of the collection of James Alexandre, Comte de Pourtalès (1776-1855), held at his hôtel, 7 rue Tronchet, Paris, 6 March 1865, lot 1543.
Production
German artist, active Tuscany and Florence between 1675 and 1704.
Subject depicted
Summary
Throughout the ages artists and craftsmen have made virtuoso carvings as a display of their skill and ingenuity. Although ivory, wood and stone are relatively easy to carve, other materials such as gemstones are much more demanding. Most of these carvings were made for wealthy patrons and collectors, who delighted in the rarity of the material and quality of the carving.

The sculptor of this cup and cover, Philipp Senger (Filippo Sengher) was an ivory turner to Cosimo III, Grand Duke of Tuscany (1642-1723) and made this object in 1681. He appears to have made this piece entirely on a lathe, including the figure that supports the cup. The elegant shape recalls silver vessels, but it was designed as a work of art and was not destined to function as a goblet.

This virtuoso piece epitomises the artist's skill as a turner. It is interesting to see here that the one figurative element, the supporting putto, is turned, rather than carved.
Bibliographic references
  • South Kensington Museum, Inventory of the Objects in the Art Division of the Museum at South Kensington Vol. I, For the Years 1852 to the end of 1867 (London, 1868), p. 31
  • Maskell, A., Ivories (London, 1905), pp. 297-8, pl. LXV
  • Longhurst, Margaret H., Catalogue of carvings in ivory (V&A, London, 1926-9), vol. 2, pp. 89-90, pl. LXXVI
  • Aschengreen Piacenti, K., 'Documented works in ivory by Balthasar Permoser and some documents related to Filippo Senger' in: Mitteilungen des Kunsthistorischen Institutes in Florenz vol.4, no.10 (February 1963), p. 283
  • Von Philippovich, E., Elfenbein, (Munich, 2nd rev. ed. 1982), pp. 428, 431
  • Trusted, Marjorie. ed. The Making of Sculpture: The Materials and Techniques of European Sculpture, London: V&A Publications, 2007, p. 121
  • Diafane passioni. Avori barocchi dalle corti europee, exh. cat., Palazzo Pitti, Museo degli Argenti, Florence (16 July – 3 November 2013), Florence, 2013, cat. no. 35, p. 150
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 289, pp. 295, 6
Collection
Accession number
74-1865

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Record createdApril 14, 2005
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