Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Box and cover

Box and Cover
ca. 1650-1700 (made)
Artist/Maker
Place of origin

Throughout the ages artists and craftsmen have made virtuoso carvings as a display of their skill and ingenuity. Although ivory, wood and stone are relatively easy to carve, other materials such as gemstones are much more demanding. Most of these carvings were made for wealthy patrons and collectors, who delighted in the rarity of the material and quality of the carving. This piece was made and decorated on a lathe, perhaps by a wealthy amateur craftsman. Ivory turning was a fashionable hobby at this period.
The lack of figurative carving means that it is hard to date precisely, but its shape suggests it dates from the second half of the seventeenth century. It is likely to originate from Germany, where many turned vessels were made at that date, although its exact place of origin remains uncertain.

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Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Box
  • Cover (Closure)
TitleBox and cover (generic title)
Materials and techniques
turned ivory
Brief description
Box and cover, turned ivory, Germany, ca. 1650-1700
Physical description
Turned ivory, circular, with fluted or scalloped and interlaced patterns. The curface is decorated with fluted adn interlaced patterns. The lid screws inton the base.
Dimensions
  • Height: 14.5cm
  • Diameter: 9.2cm
Object history
This piece was made and decorated on a lathe, perhaps by a wealthy amateur craftsman. Ivory turning was a fashionable hobby at this period.
Bought for £2 in 1858 (vendor unrecorded).
Production
A small tankard with similar decoration in the Franks Bequest at the British Museum is ascribed to Nuremberg, about 1680
Summary
Throughout the ages artists and craftsmen have made virtuoso carvings as a display of their skill and ingenuity. Although ivory, wood and stone are relatively easy to carve, other materials such as gemstones are much more demanding. Most of these carvings were made for wealthy patrons and collectors, who delighted in the rarity of the material and quality of the carving. This piece was made and decorated on a lathe, perhaps by a wealthy amateur craftsman. Ivory turning was a fashionable hobby at this period.
The lack of figurative carving means that it is hard to date precisely, but its shape suggests it dates from the second half of the seventeenth century. It is likely to originate from Germany, where many turned vessels were made at that date, although its exact place of origin remains uncertain.
Bibliographic references
  • Inventory of Art Objects Acquired in the Year 1858. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 15
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. Part II. London: Victoria and Albert Museum, 1929, p. 90
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 45
Collection
Accession number
4424-1858

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Record createdApril 14, 2005
Record URL
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