Saint Joan
Costume Design
1967 (made)
1967 (made)
| Artist/Maker | |
| Place of origin |
Costume design by Michael Annals for the Archbishop (2nd costume) in George Bernard Shaw's play, Saint Joan, Lincoln Center Repertory Company, Vivian Beaumont Theatre, Lincoln Center, New York, 1968.
Michael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, The Royal Hunt of the Sun (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's Long Day's Journey into Night starring Laurence Olivier, Hecht and MacArthur's The Front Page and Shaw's Heartbreak House. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration.
Michael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, The Royal Hunt of the Sun (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's Long Day's Journey into Night starring Laurence Olivier, Hecht and MacArthur's The Front Page and Shaw's Heartbreak House. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration.
Object details
| Categories | |
| Object type | |
| Title | Saint Joan (generic title) |
| Materials and techniques | Watercolour, ink, pencil and chalk on paper with fabric swatches |
| Brief description | Costume design by Michael Annals for the Archbishop (2nd costume) in George Bernard Shaw's play, Saint Joan, Lincoln Center Repertory Company, Vivian Beaumont Theatre, Lincoln Center, New York, 1968 |
| Physical description | Costume design for the Archbishop (2nd costume) in Saint Joan. Full length male figure, wearing cream clerical robes over a buttoned brown robe, and a skullcap. Annotated by the artist with the play title, the theatre company and the character, in ink. With two fabric swatches pinned at lower edge. |
| Dimensions |
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| Marks and inscriptions |
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| Credit line | Bequeathed by Michael Annals |
| Summary | Costume design by Michael Annals for the Archbishop (2nd costume) in George Bernard Shaw's play, Saint Joan, Lincoln Center Repertory Company, Vivian Beaumont Theatre, Lincoln Center, New York, 1968. Michael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, The Royal Hunt of the Sun (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's Long Day's Journey into Night starring Laurence Olivier, Hecht and MacArthur's The Front Page and Shaw's Heartbreak House. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration. |
| Collection | |
| Accession number | S.325-1991 |
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| Record created | July 1, 2009 |
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