Not currently on display at the V&A

Prodigal Son

Plan
1974 (made)
Artist/Maker
Place of origin

Design by Michael Annals for No.1 Dance Hall drop A&B in the ballet, Prodigal Son, choreographed by Barry Moreland, London Festival Ballet, London Coliseum, 1974. Dyeline.

Michael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, The Royal Hunt of the Sun (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's Long Day's Journey into Night starring Laurence Olivier, Hecht and MacArthur's The Front Page and Shaw's Heartbreak House. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration.






Object details

Categories
Object type
TitleProdigal Son (generic title)
Materials and techniques
Dyeline
Brief description
Design by Michael Annals for No.1 Dance Hall drop A&B in the ballet, Prodigal Son, choreographed by Barry Moreland, London Festival Ballet, London Coliseum, 1974. Dyeline.
Physical description
Dyeline drawing for No.1 Dance Hall drop A&B.
Credit line
Bequeathed by Michael Annals
Summary
Design by Michael Annals for No.1 Dance Hall drop A&B in the ballet, Prodigal Son, choreographed by Barry Moreland, London Festival Ballet, London Coliseum, 1974. Dyeline.

Michael Annals (1938-1990) trained at Hornsey College of Art and began his career designing sets and costumes for the Old Vic. In 1963 the newly formed National Theatre Company moved into the Old Vic and Annals joined them, having his first major success with his designs for Peter Shaffer's historical epic, The Royal Hunt of the Sun (1964). He went on to have an international career, designing for the theatre and for ballet, opera and film, but is most closely associated with the National Theatre, where he created notable settings for a range of productions, including O'Neill's Long Day's Journey into Night starring Laurence Olivier, Hecht and MacArthur's The Front Page and Shaw's Heartbreak House. Annals frequently worked in the United States and was Associate Professor of Scenic Design at Yale in 1966-1967. In 1984 he gave up the stage and took up photography and illustration.




Associated object
S.556-1991 (Duplicate)
Collection
Accession number
S.555-1991

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJuly 1, 2009
Record URL
Download as: JSON