This is one of a group of 69 costume designs for the court ballets of Louis XIII, now in the V&A Theatre Collections. The designs, which date from 1615-1635, are from the workshop of Daniel Rabel (1578-1637), the artist responsible for creating costumes for the spectacular entertainments performed by and for the French court. The ballets were based on the social dances of the day, but this was social dance elevated to an elaborate art form which combined choreography with poetry, music, song and pageantry, and included elements of satire and burlesque. The ballets were enormously popular. Most were given at least three performances and all required a great amount of work from their creators and performers: the Ballet de Tancrède of 1619, which used elaborate stage machinery, is known to have had 30 rehearsals. Some professional dancers, actors and singers took part but the majority of the participants were members of the nobility. Many of these aristocratic amateurs were skilled performers, including the King, who adored dancing and devised some of the ballets himself.

The Ballet des Fées de la Forest de Saint Germain (the Ballet of the Saint German Forest Fairies), also called the Ballet des Ridicles, was first performed on 9 February 1625. The King was happy to spend enormous sums of money on his entertainments and this ballet was one of the most expensive, the costumes costing more that 16,380 livres. Its creator, René Bordier, devised a simple plot in which to set the dances. Five fairies from the Forest of Saint Germain visit Paris to admire the beauty of the Queen and her ladies. Each fairy has an outlandish entourage (peasants, musicians, dancers, gamblers or madmen) whose dances burlesque different branches of learning. Guillemine la Quinteuse, the Fairy of Music, was followed by a company of musicians led by the bespectacled figure who represented Music.