William III
Portrait Miniature
ca.1677 (painted)
ca.1677 (painted)
Artist/Maker | |
Place of origin |
Portrait of a man, three-quarter length, standing, turned slightly to right and looking to front; the sitter is wearing a suit of armour, neckcloth of patterned lace and is holding a baton in his right hand; on the left is a helmet with plumes and a dog at the bottom of the composition; in the right background is a dsitant view of a battle. Features hatched and stippled in brown, with some black and white highlights in the eyes, on a pale yellowish carnation ground; hair in pale brown wash, hatched and lined with dark brown and black and with the lights in pale ochreous gouache; cravat in pale grey wash, modelled in brown and with the lights in white; armour worked in dark brown over grey wash, the lights in white and pale grey and the studs in ochre; helmet plume in dark red over a light red wash; trousers similarly in red over a light red wash; landscape in washes of blue, white and grey gouache, the trees in browns and some dark green with grey over the brown wash; dog in brown and white over pale brown wash; a gold marginal strip; on vellum put down on pasteboard.
Frame: Black stained and polished fruitwood veneer over oak; the joints mitred at the front and halved at the back; a broad composite bolection moulding; oak backboard and simple brass ring screw-in hanger.
Frame: Black stained and polished fruitwood veneer over oak; the joints mitred at the front and halved at the back; a broad composite bolection moulding; oak backboard and simple brass ring screw-in hanger.
Object details
Categories | |
Object type | |
Title | William III (generic title) |
Materials and techniques | Watercolour on vellum put down on pasteboard |
Brief description | Portrait miniature of William III, watercolour on vellum, English school, a copy after Sir Peter Lely, ca.1677. |
Physical description | Portrait of a man, three-quarter length, standing, turned slightly to right and looking to front; the sitter is wearing a suit of armour, neckcloth of patterned lace and is holding a baton in his right hand; on the left is a helmet with plumes and a dog at the bottom of the composition; in the right background is a dsitant view of a battle. Features hatched and stippled in brown, with some black and white highlights in the eyes, on a pale yellowish carnation ground; hair in pale brown wash, hatched and lined with dark brown and black and with the lights in pale ochreous gouache; cravat in pale grey wash, modelled in brown and with the lights in white; armour worked in dark brown over grey wash, the lights in white and pale grey and the studs in ochre; helmet plume in dark red over a light red wash; trousers similarly in red over a light red wash; landscape in washes of blue, white and grey gouache, the trees in browns and some dark green with grey over the brown wash; dog in brown and white over pale brown wash; a gold marginal strip; on vellum put down on pasteboard. Frame: Black stained and polished fruitwood veneer over oak; the joints mitred at the front and halved at the back; a broad composite bolection moulding; oak backboard and simple brass ring screw-in hanger. |
Dimensions |
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Content description | Portrait of a man wearing a suit of armour, a battle in the right background and a dog at the bottom of the composition. |
Styles | |
Marks and inscriptions | 'The Prince of Orange/ of ... [illegible]' (Inscribed in ink on the backboard in an old hand) |
Credit line | Bequeathed by John Jones |
Object history | Provenance: Acquired by John Jones from an unrecorded source, and by him bequeathed to the Museum, February 1882. |
Subjects depicted | |
Bibliographic reference | Murdoch, John. Seventeenth-century English Miniatures in the Collection of the Victoria & Albert Museum, London: The Stationery Office in association with the Victoria & Albert Museum, 1997.
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Collection | |
Accession number | 608-1882 |
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Record created | July 1, 2009 |
Record URL |
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