Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level F , Case RMC, Shelf 6, Box 2

Mary II

Portrait Miniature
ca.1677 (painted)
Artist/Maker
Place of origin

Portrait of a woman, three-quarter length, seated and turned to front, resting her right hand on her knee; in the left background is a column an a vase containing a plant. Features in soft and tentative strokes of brown, with black in the eyes and a white highlight, on a very pale carnation ground; hair in pale brown wash, hatched and lined, and generally worked over in darker colour with some grey gouache for the lights; chemise in pale grey wash, modelled in grey and thick white; dress in dark pink wash, worked over in gummy dark red and with the lights in pink-grey gouache; the mantle in blue wash, modelled in darker colour and with the lights in pale grey; curtain in dark orange-brown over orange wash; architecture in pink-grey gouache and dark grey over a pale brown wash; plant in green and dark brown with touches of purple and white for the flowers; a gold marginal strip; on vellum put down on pasteboard.

Frame: Black stained and polished fruitwood veneer over oak; the joints mitred at the front and halved at the back; a broad composite bolection moulding; oak backboard and simple brass ring screw-in hanger. Inscribed on the backboard in black paint: 689E [truncated?]. A nearly illegible early ink inscription: possibly P[ ... Anne[ ... ]/ Gr[ ... ]; and on an old paper label, in ink: C or possibly E, and a flourish in graphite.


Object details

Categories
Object type
TitleMary II (popular title)
Materials and techniques
Watercolour on vellum put down on pasteboard
Brief description
Portrait miniature of an unknown woman, said to be Mary II, watercolour on vellum, English School, probably after Sir Peter Lely, ca.1677.
Physical description
Portrait of a woman, three-quarter length, seated and turned to front, resting her right hand on her knee; in the left background is a column an a vase containing a plant. Features in soft and tentative strokes of brown, with black in the eyes and a white highlight, on a very pale carnation ground; hair in pale brown wash, hatched and lined, and generally worked over in darker colour with some grey gouache for the lights; chemise in pale grey wash, modelled in grey and thick white; dress in dark pink wash, worked over in gummy dark red and with the lights in pink-grey gouache; the mantle in blue wash, modelled in darker colour and with the lights in pale grey; curtain in dark orange-brown over orange wash; architecture in pink-grey gouache and dark grey over a pale brown wash; plant in green and dark brown with touches of purple and white for the flowers; a gold marginal strip; on vellum put down on pasteboard.

Frame: Black stained and polished fruitwood veneer over oak; the joints mitred at the front and halved at the back; a broad composite bolection moulding; oak backboard and simple brass ring screw-in hanger. Inscribed on the backboard in black paint: 689E [truncated?]. A nearly illegible early ink inscription: possibly P[ ... Anne[ ... ]/ Gr[ ... ]; and on an old paper label, in ink: C or possibly E, and a flourish in graphite.
Dimensions
  • Height: 154mm
  • Width: 126mm
Dimensions taken from John Murdoch Seventeenth-century English Miniatures in the collection of the Victoria and Albert Museum. London: The Stationery Office, 1997.
Content description
Portrait of a woman, seated, in the background a column and vase containing a plant.
Styles
Credit line
Bequeathed by John Jones
Object history
Provenance: Acquired by John Jones from an unrecorded source, and by him bequeathed to the Museum, February 1882
Subjects depicted
Bibliographic reference
Murdoch, John. Seventeenth-century English Miniatures in the Collection of the Victoria & Albert Museum, London: The Stationery Office in association with the Victoria & Albert Museum, 1997.
Collection
Accession number
609-1882

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Record createdJuly 1, 2009
Record URL
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