Necklace thumbnail 1
Necklace thumbnail 2
+1
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Jewellery, Rooms 91, The William and Judith Bollinger Gallery

Necklace

1905 (made)
Artist/Maker
Place of origin

The Scottish artist Phoebe Traquair created embroidery, murals and illuminated manuscripts as well as painted enamels. She distinguished between 'epic' (large-scale) work such as tapestries and wall painting, and 'lyric' (small-scale) work. In 1901she began her apprenticeship in enamelling to Lady Gibson Carmichael at Castlecraig. From this time enamelling replaced book illustration as her favourite small-scale medium. She created vivid foiled enamel scenes, usually of mythical or spiritual subjects. Both her technique and designs were strongly influenced by medieval and Renaissance examples. Her jewellery, triptychs, caskets and mounted cups and covers, for instance, are all based on historical pieces.

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Object details

Categories
Object type
Materials and techniques
Gold, enamel
Brief description
Enamelled plaques set in gold, connected by gold chains, designed and made in Edinburgh by Phoebe Traquair, 1905
Physical description
Enamelled plaques set in gold, connected by gold chains, depicting a mermaid on the central plaques, and ships. The central plaque is signed, and dated 1905 on the reverse.
Dimensions
  • Height: 19.1cm
  • Width: 13.5cm
  • Depth: 0.5cm
Style
Marks and inscriptions
(Signed and dated 1905 on the reverse of the central plaque.)
Credit line
Given by Mrs Teresa Crompton
Subjects depicted
Summary
The Scottish artist Phoebe Traquair created embroidery, murals and illuminated manuscripts as well as painted enamels. She distinguished between 'epic' (large-scale) work such as tapestries and wall painting, and 'lyric' (small-scale) work. In 1901she began her apprenticeship in enamelling to Lady Gibson Carmichael at Castlecraig. From this time enamelling replaced book illustration as her favourite small-scale medium. She created vivid foiled enamel scenes, usually of mythical or spiritual subjects. Both her technique and designs were strongly influenced by medieval and Renaissance examples. Her jewellery, triptychs, caskets and mounted cups and covers, for instance, are all based on historical pieces.
Collection
Accession number
CIRC.211-1953

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Record createdApril 7, 2005
Record URL
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