The Dwarf Mouse
Wood-Engraving Print
1791? (first published)
1791? (first published)
Artist/Maker | |
Place of origin |
A mouse with two black lines running along its back, viewed in profile, facing to the left of the image.
Object details
Categories | |
Object type | |
Title | The Dwarf Mouse |
Materials and techniques | Wood-engraving print on laid paper |
Brief description | 'The Dwarf Mouse', viewed in profile, facing to the left of the image. Wood-engraving print on laid paper. Illustration featured in 'A General History of Quadrupeds' (first published 1790). Engraved by Thomas Bewick. Newcastle upon Tyne, England. |
Physical description | A mouse with two black lines running along its back, viewed in profile, facing to the left of the image. |
Dimensions |
|
Object history | This engraving featured in Thomas Bewick's first major independent publication, A General History of Quadrupeds, first printed and published in Newcastle upon Tyne in 1790. The publication contains illustrations of animals, alongside brief descriptions of their appearance, habits and habitats, accompanied by a number of illustrative vignettes, used mainly as tailpieces. This is possibly the second state of this design which first appeared in the second (1791) edition. The text accompanying the illustration (in the publication) reads as follows: 'THE DWARF MOUSE is a native of the Cape of Good Hope, where it was discovered, and first described, by Sparrman. - It is distinguished from every other species of the genus by four black lines along its back, from the head to the tail. It is supposed to be the most diminutive quadruped in the world, being scarcely two inches in length. In the annexed representation it is drawn the natural size, and forms a striking contrast with those gigantic animals which inhabit that quarter of the world.' Taken from: Beilby, Ralph and Bewick, Thomas. A General History of Quadrupeds. Newcastle upon Tyne. Third Edition, 1792. Historical significance: Thomas Bewick was the first engraver to exploit fully the advantages of end-grain wood (the wood is cut across, rather than along, the grain). Once it had been proved that the technique could rival the fine effects of metal engraving, the advantages of wood engraving to the book trade were quickly recognised. Allowing both text and illustration to be printed in one operation, it ousted the intaglio process as the favourite for book illustration and was only superseded at the end of the nineteenth century when methods of photomechanical reproduction were developed. |
Production | Thomas Bewick's A General History of Quadrupeds was first published in 1790. This is possibly the second state of this design which first appeared in the second (1791) edition. |
Subject depicted | |
Association | |
Collection | |
Accession number | CIRC.576-1964 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | July 1, 2009 |
Record URL |
Download as: JSON