Hand bell with the Arms of the Gagiona Family of Verona thumbnail 1
Hand bell with the Arms of the Gagiona Family of Verona thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 111, The Gilbert Bayes Gallery

Hand bell with the Arms of the Gagiona Family of Verona

Bell
1582 (made)
Artist/Maker
Place of origin

Bells are made from a special alloy that has a high tin content to produce the ringing tone. They are often sand cast, but are also made using a variation on the lost-wax method. A basic shape is created in clay and the form of the bell then applied in wax, along with its relief decoration. An outer mould of clay is built up on top. The mould is heated, the wax melts out and the clay bakes dry before the molten metal is poured in. The bell is marked on the inside with the foundry mark, the intials I.D.L. and the date.


Object details

Category
Object type
TitleHand bell with the Arms of the Gagiona Family of Verona (generic title)
Materials and techniques
Bell-metal
Brief description
Hand bell with the arms of the Gagiona family of Verona, by Giuseppe de Levis, Italy (Verona) dated 1582
Physical description
The bell is decorated with four bands of ornament: at the top foliate scrolls, below harpies separated by foliate pattern; below three coats-of-arms identified as those of the Gagiona family of Verona (azure, a pineapple or with long stalk foliated verte, the stalk below, surmounted by a star of eight points), each coat of arms supported by two male figures and dolphins, below difference foliated scrolls,each band of decorateion separated by two narrow bands. Inside a foundry mark with the initials IDL for Ioseph de Levis and a date in Arabic numberals 1582? partically obliterated?
Dimensions
  • Height: 9.52cm
  • Diameter: 10.32cm
Object history
Purchased from Dr Anselm Lange,
Subject depicted
Summary
Bells are made from a special alloy that has a high tin content to produce the ringing tone. They are often sand cast, but are also made using a variation on the lost-wax method. A basic shape is created in clay and the form of the bell then applied in wax, along with its relief decoration. An outer mould of clay is built up on top. The mould is heated, the wax melts out and the clay bakes dry before the molten metal is poured in. The bell is marked on the inside with the foundry mark, the intials I.D.L. and the date.
Bibliographic references
  • Avery, Charles. 'Guiseppe de Levis of Verona- a bronze founder and sculptor of the late 16th century, 1- Bells and Mortars',
  • Lange, A. Klingende Kostbarkeiten: Tischglocken aus 5 Jahrhunderten in Bronze, Porzellan, Silber-Glas, Deutsches Goldschmiedehaus, 1969, p. 19.
  • Motture, Peta. 'The decoration of Italian Renaissance Handbells' in The Sculpted Object 1400-1700, ed. Currie, S, and Motture, P, Aldershot, 1997, p. 103, fig. 6.3.
  • Motture, Peta. Bells and Mortars. Catalogue of the Italian Bronzes in the Victoria and Alber Museum, London, 2001, pp. 159-60, cat. no. 49.
  • Avery, Charles, Joseph De Levis & Company: Renaissance Bronze-founders in Verona, Philip Wilson, London, 2016, pp. 114-115, fig. 42
  • Mann, Vivian B., Gardens and Ghettos: The Art of Jewish Life in Italy, Berkeley: University of California Press, 1990.
Collection
Accession number
A.16-1973

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Record createdMarch 30, 2005
Record URL
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