Portico de la Gloria; Archivolt of Central Doorway (Left)

Photograph
1868 (photographed)
Portico de la Gloria; Archivolt of Central Doorway (Left) thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Prints & Drawings Study Room, level F
Artist/Maker
Place Of Origin

In September 1865, John Charles Robinson, curator at the South Kensington Museum (which was to become the V&A), travelled to Santiago de Compostela as part of an expedition to acquire Spanish artworks for the Museum's collection. Impressed by the Portico de la Gloria at Santiago, he determined that the Portico should be reproduced and recorded in order to be displayed at the South Kensington Museum. To this end, in 1866, Robinson sent Museum photographer Charles Thurston Thompson (1816-1868) to photograph the cathedral and Domenico Bucciani, London's leading producer of plaster casts, to produce the casts which later took pride of place in the new cast court when it completed in 1873.

Thompson returned with 86 views of the cathedral. From these, under the aegis of Department of Science and Art, The Arundel Society issued a volume of 20 photographs of Santiago attributed to Thompson. Published in the later half of 1868, Thompson never got to see the spendid volume as he died in January of that same year. Curiously, in the table of contents, there is a note concerning three of the views: 'From their position in the portico, the Archivolt and Tympanum of the Central Doorway could not be satisfactorily photographed; Nos. 12, 13, and 14 were therefore taken from the Casts in the South Kensington Museum'. It has now been determined that these three views, of which this photograph is one, were taken by Thompson's successor, Isabel Agnes Cowper (1826? - 1911).

Cowper was the sister of Thompson, and of the Superintendent of the Museum, Richard A. Thompson. Little is known about Cowper, but in her letter of resignation in 1891, she refers to herself as the Museum's 'Official Photographer', having taken up the position after the death of her brother. This image with the fragments of the sign written in English and of the museum window, provide a context that is lacking in Thompson's views. Such a context points to the role of the Museum in the early 19th-century.


object details
Categories
Object Type
Additional TitleThe Cathedral of Santiago de Compostella in Spain, showing especially the Sculpture of the Portico de la Gloria by Mestre Mateo: A Series of Twenty Photographs recently taken by the Late Mr. Thurston Thompson (generic title)
Materials and Techniques
Albumen print
Brief Description
Photograph, Isabel Agnes Cowper, 'Portico de la Gloria; Archivolt of Central Doorway (Left)', albumen print, 1868, a copy of plate 12 in album 'The Cathedral of Santiago de Compostella in Spain, showing especially the Sculpture of the Portico de la Gloria by Mestre Mateo: A Series of Twenty Photographs recently taken by the Late Mr. Thurston Thompson', Science and Art Department, Arundel Society, 1868
Physical Description
A mounted albumen photograph showing the detail of an intriquately carved archway featuring biblical persons. In the background is visible a fragment of a sign in english and a portion of a frame of a window.
Marks and Inscriptions
  • '12. PORTICO DE LA GLORIA: ARCHIVOLT OF CENTRAL DOORWAY. (Left) / Mateo, Master (a. p. 1188) / (From a caast in the Victoria and Albert Museum / Sculpture: Spain / XXV b' (label and ink annotations, mount)
  • ' C. Thurston Thompson, LF' (Pencil, lower right mount. This is a previous innacurate attribution)
  • library stamp (blindstamp, upper centre mount)
Gallery Label
Gallery 100 ‘A History of Photography’, 2014-2015, label text: Isabel Agnes Cowper (1826?–1911) Plaster Cast of the Pórtico da Gloria, Santiago de Compostela Cathedral About 1868 Thurston Thompson went to Spain to photograph the magnificent Cathedral of Santiago de Compostela. His photographs were published in an album. It also included photographs of plaster casts of the cathedral’s Pórtico da Gloria which were installed in the South Kensington Museum as part of its collection of reproductions. These photographs were by Cowper, though she was not credited. Albumen prints Museum nos. 3451, 3452-1932 (06 03 2014)
Object history
These images were previously attributed to Charles Thurston Thompson. But as per album table of contents note: 'From their position in the portico, the Archivolt and Tympanum of the Central Doorway could not be satisfactorily photographed; Nos. 12,13, and 14 were therefore taken from the Casts in the South Kensington Museum', it is clear that these images were taken at a later date. An entry in the Photography Register from May 22, 1868 provides a clue to their origin: '3 mounted photos. Santiago, Cathedral. Porta della Gloria, photographed from the cast in the S.K.M. [South Kensington Museum] by Mrs. I. A. Cowper'. It is now clear these photographs were taken after Thompson's death by his successor as Official Photographer at the South Kensington Museum, Isabel Agnes Cowper.

Subjects depicted
Place Depicted
Associations
Summary
In September 1865, John Charles Robinson, curator at the South Kensington Museum (which was to become the V&A), travelled to Santiago de Compostela as part of an expedition to acquire Spanish artworks for the Museum's collection. Impressed by the Portico de la Gloria at Santiago, he determined that the Portico should be reproduced and recorded in order to be displayed at the South Kensington Museum. To this end, in 1866, Robinson sent Museum photographer Charles Thurston Thompson (1816-1868) to photograph the cathedral and Domenico Bucciani, London's leading producer of plaster casts, to produce the casts which later took pride of place in the new cast court when it completed in 1873.



Thompson returned with 86 views of the cathedral. From these, under the aegis of Department of Science and Art, The Arundel Society issued a volume of 20 photographs of Santiago attributed to Thompson. Published in the later half of 1868, Thompson never got to see the spendid volume as he died in January of that same year. Curiously, in the table of contents, there is a note concerning three of the views: 'From their position in the portico, the Archivolt and Tympanum of the Central Doorway could not be satisfactorily photographed; Nos. 12, 13, and 14 were therefore taken from the Casts in the South Kensington Museum'. It has now been determined that these three views, of which this photograph is one, were taken by Thompson's successor, Isabel Agnes Cowper (1826? - 1911).



Cowper was the sister of Thompson, and of the Superintendent of the Museum, Richard A. Thompson. Little is known about Cowper, but in her letter of resignation in 1891, she refers to herself as the Museum's 'Official Photographer', having taken up the position after the death of her brother. This image with the fragments of the sign written in English and of the museum window, provide a context that is lacking in Thompson's views. Such a context points to the role of the Museum in the early 19th-century.
Associated Object
62:477 (Version)
Bibliographic References
  • Charles Thurston Thompson e o proxecto fotografico iberico La Coluna: Centro Galego de Artes da Imaxe-Xunta de Galicia, 1996p. 38
  • Accidental pilgrims: 19th-century British travellers and photographers in Santiago de Compostela United Kingdom: The British Art Journal, 03/2000 - 05/2000Vol. 1, No.2 (Spring 2000), pp.3-12
Collection
Accession Number
3451-1932

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest Feedback

record createdJuly 1, 2009
Record URL