Loving Cup and Cover thumbnail 1
Loving Cup and Cover thumbnail 2
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Not currently on display at the V&A

Loving Cup and Cover

ca. 1905-1909 (made)
Artist/Maker
Place of origin

Traditionally, loving cups were large vessels with several handles intended for communal drinking on festive occasions. This loving cup, however, does not have the handles that allowed the cup to be passed easily from person to person. It was probably intended to be a purely decorative piece.

It is the work of Harold Stabler (1872-1945), a versatile designer who worked in several different media. As a master silversmith, he reinvigorated several long-neglected techniques. For example he made designs for silver objects engraved and inlaid with ivory and coloured enamels. This cup has a carved, ivory stem and the coloured enamelled decoration that was a feature of Arts and Crafts metalwork. It also combines the traditional silverwork techniques of piercing, chasing and casting.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Loving Cup and Cover
  • Lid
Materials and techniques
Silver, pierced, chased, cast and enamelled with a carved, ivory stem
Brief description
Silver, enamel and ivory, no hallmarks, London, designed and made by Harold Stabler and enamelled by Miss May, Hart Partridge.
Physical description
Silver with pierced, chased, cast and applied ornament and with an ivory stem. The eight sided base decorated with four plaques of enamel, the bowl enamelled with a scene in a continuous band depicting Diana and her hand maidens hunting a stag.The interior of the bowl is covered in blue enamel and gold fleur-de-lys.
Dimensions
  • Including finial height: 27cm
  • Diameter: 11.5cm
Style
Marks and inscriptions
The rim inscribed: DRINK AND FEAR NOT YOUR MAN
Credit line
Given by Miss M. McLeish
Object history
An almost identical version was made for which a photograph exists in the Stabler archive at Goldsmiths' Hall. The only apparent difference is the form of the finial which instead of a stylised dolphin riding the crest of a wave as with the Museum's example, there is a small wreath in plique-a-jour enamel.
Subjects depicted
Summary
Traditionally, loving cups were large vessels with several handles intended for communal drinking on festive occasions. This loving cup, however, does not have the handles that allowed the cup to be passed easily from person to person. It was probably intended to be a purely decorative piece.

It is the work of Harold Stabler (1872-1945), a versatile designer who worked in several different media. As a master silversmith, he reinvigorated several long-neglected techniques. For example he made designs for silver objects engraved and inlaid with ivory and coloured enamels. This cup has a carved, ivory stem and the coloured enamelled decoration that was a feature of Arts and Crafts metalwork. It also combines the traditional silverwork techniques of piercing, chasing and casting.
Bibliographic references
  • Bury, Shirley, in: Carol Hogben, ed. British Art and Design 1900-1960 London, Victoria and Albert Museum, 1983, pp 30-31, ill. ISBN 0905209575
  • Jervis, Simon, Victorian and Edwardian decorative art: the Handley-Read collection, London, Royal Academy of Arts, 1972
  • The Goldsmith and the Grape : silver in the service of wine, London : Goldsmiths' Company, 1983 no. 105
  • William Morris y compañía: el movimiento arts and crafts en Gran Bretaña, ed. by María Zozaya Álvarez. Catalogue of the exhibition held at Madrid, Fundación Juan March and Barcelona, Museu Nacional d'Art de Catalunya. Madrid: Fundación Juan March, 2017.
  • The Partridge family of Barnstaple: Ethel Mairet, Fred Partridge and the Arts & Crafts movement, ed. Alison Mills. Published to accompany the exhibition at the Museum of Barnstaple & North Devon, 2022. Barnstaple: Museum of Barnstaple & North Devon, 2022.
Collection
Accession number
CIRC.501:1-1956

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Record createdMarch 2, 2005
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