Dish thumbnail 1
Dish thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 137, The Curtain Foundation Gallery

Dish

Dish
1115-1234 (made)
Artist/Maker
Place of origin

The two dishes pictured here are examples of ceramics probably made at Linru, in the Henan province of China during the Jin dynasty (1115-1234). During this period, the kilns at Linru produced wares that imitated those made at the Yaozhou kilns in the neighbouring Shaanxi provine. Yaozhou wares were popular for their olive green glazes and their detailed surface designs. These wares appear to be very similar to their Yaozhou contemporaries, but their glazes have very slight differences in colour and shine that reveal they were probably fired slightly differently.

The craftspeople of both Yaozhou and Linru used moulds to achieve their intricate surface designs some of the time, avoiding the time consumption and labour intensity hand carving. This process began with one master dish carved by hand and fired. A convex ‘hump-mould’ was then made from the master, from which multiple dishes could be made, saving time and resources.


Object details

Category
Object type
TitleDish
Materials and techniques
Stoneware, moulded
Brief description
Dish, moulded and glazed stoneware, Yaozhou-type ware, possibly from Linru, China, Jin dynasty (1115-1234)
Physical description
Dish with moulded designs, Yaozhou-type ware, possibly from Linru.
Dimensions
  • Diameter: 11.5cm
Style
Credit line
Given by Richard Mond
Subjects depicted
Summary
The two dishes pictured here are examples of ceramics probably made at Linru, in the Henan province of China during the Jin dynasty (1115-1234). During this period, the kilns at Linru produced wares that imitated those made at the Yaozhou kilns in the neighbouring Shaanxi provine. Yaozhou wares were popular for their olive green glazes and their detailed surface designs. These wares appear to be very similar to their Yaozhou contemporaries, but their glazes have very slight differences in colour and shine that reveal they were probably fired slightly differently.

The craftspeople of both Yaozhou and Linru used moulds to achieve their intricate surface designs some of the time, avoiding the time consumption and labour intensity hand carving. This process began with one master dish carved by hand and fired. A convex ‘hump-mould’ was then made from the master, from which multiple dishes could be made, saving time and resources.
Bibliographic reference
Kerr, Rose. Song Dynasty Ceramics. London: V&A Publications, 2004. p. 60, no. 57.
Collection
Accession number
C.294-1915

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Record createdFebruary 25, 2005
Record URL
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