Dish
Dish
1115-1234 (made)
1115-1234 (made)
Artist/Maker | |
Place of origin |
This bowl is an example of Ding ware, made in the Hebei province of China during the Northern Song dynasty (960-1127) and Jin dynastsy (1115-1127). Ding wares were of the earliest true porcelains made in China, and the world. The term porcelain is applied to ceramics made from a mixture containing a clay called kaolin and a white stone called petuntse, which was fired at high temperatures. Porcelains differ from other ceramics in their impermeability, whiteness after firing and fine texture.
In 1126 the Hebei province experienced great change as the Northern Song dynasty ended and the Jin dynasty established power. Despite such upheaval, Ding wares continued to be produced after a short interval as an ‘official ware’, meaning it was selected to supply ceramics to the royal household and the most elite officials in China.
From the beginning of the Jin dynasty, the characteristics of Ding wares changed slightly. Instead of the hand-incised decorations which previously adorned its surfaces, its designs began to mimic that of the metal wares of the period through the use of moulded design. This was achieved by shaping the clay over domed moulds, which gave the form of the object and impressed the inside pattern onto the clay in one step. The elaborate scene on this dish, portraying two spotted deer amongst swirling clouds and flowers, would have been slow and expensive to achieve without the precision afforded by the mould technique.
In 1126 the Hebei province experienced great change as the Northern Song dynasty ended and the Jin dynasty established power. Despite such upheaval, Ding wares continued to be produced after a short interval as an ‘official ware’, meaning it was selected to supply ceramics to the royal household and the most elite officials in China.
From the beginning of the Jin dynasty, the characteristics of Ding wares changed slightly. Instead of the hand-incised decorations which previously adorned its surfaces, its designs began to mimic that of the metal wares of the period through the use of moulded design. This was achieved by shaping the clay over domed moulds, which gave the form of the object and impressed the inside pattern onto the clay in one step. The elaborate scene on this dish, portraying two spotted deer amongst swirling clouds and flowers, would have been slow and expensive to achieve without the precision afforded by the mould technique.
Object details
Category | |
Object type | |
Title | Dish |
Materials and techniques | Stoneware, moulded and glazed |
Brief description | Dish, moulded and glazed stoneware, Ding ware, China, Jin dynasty (1115-1234) |
Physical description | Ding ware dish with moulded design of two deer among clouds and flowers. |
Dimensions |
|
Styles | |
Credit line | Purchased with Art Fund support, the Vallentin Bequest, Sir Percival David and the Universities China Committee |
Subjects depicted | |
Summary | This bowl is an example of Ding ware, made in the Hebei province of China during the Northern Song dynasty (960-1127) and Jin dynastsy (1115-1127). Ding wares were of the earliest true porcelains made in China, and the world. The term porcelain is applied to ceramics made from a mixture containing a clay called kaolin and a white stone called petuntse, which was fired at high temperatures. Porcelains differ from other ceramics in their impermeability, whiteness after firing and fine texture. In 1126 the Hebei province experienced great change as the Northern Song dynasty ended and the Jin dynasty established power. Despite such upheaval, Ding wares continued to be produced after a short interval as an ‘official ware’, meaning it was selected to supply ceramics to the royal household and the most elite officials in China. From the beginning of the Jin dynasty, the characteristics of Ding wares changed slightly. Instead of the hand-incised decorations which previously adorned its surfaces, its designs began to mimic that of the metal wares of the period through the use of moulded design. This was achieved by shaping the clay over domed moulds, which gave the form of the object and impressed the inside pattern onto the clay in one step. The elaborate scene on this dish, portraying two spotted deer amongst swirling clouds and flowers, would have been slow and expensive to achieve without the precision afforded by the mould technique. |
Bibliographic reference | Kerr, Rose. Song Dynasty Ceramics. London: V&A Publications, 2004.
p.48, nos.43 and 43a |
Collection | |
Accession number | C.39-1935 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | February 24, 2005 |
Record URL |
Download as: JSONIIIF Manifest