The TvL Cup thumbnail 1
The TvL Cup thumbnail 2
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Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 58b

The TvL Cup

Lidded Cup
1611-1612 (made)
Artist/Maker
Place of origin

Object Type
This standing cup with cover was intended for display. It would have been shown as part of a mass of vessels on a buffet or sideboard. Buffet displays were intended to demonstrate wealth and status.

Design & Technique
The principal decoration on this elaborate piece comprises bands of applied wire, known as filigree work. In this technique, a fine metal wire is formed into intricate designs, usually of geometric or foliate form. They are then soldered on to the object. The filigree is complemented by bands of engraving. On the cover these depict birds and animals in a landscape. On the body there are hunting scenes, and on the base fruit and flower stems.

Design Sources & Maker
Although made in London, this cup is unlikely to have been made by an Englishman, for a number of reasons. Filigree work is associated with south German and eastern European goldsmiths' work, and is rarely found in English silver. The surviving examples of English filigree work are so similar in technique that they can be attributed to the same maker as this piece. The engraving is based on Northern European print sources, and the maker's mark is a combination of initials characteristic of Flemish names. The maker's mark is otherwise unrecorded in London, and it is probable that he was working in London only for a short period of time.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Cups
  • Lid
TitleThe TvL Cup (popular title)
Materials and techniques
Silver gilt
Brief description
Standing Cup and Cover, silver gilt, probably Flemish maker working in England (London), 1611
Physical description
Standing Cup and Cover. 1611-12. Silver gilt, 19½ x 6¼ x 6¼"" (49.6 x 16 x 16 cm). Mark of an unidentified goldsmith TvL in monogram (perhaps Thierry [Dierick] Luckemans).
Dimensions
  • Height: 49.6cm
  • Diameter: 16cm
Dimensions checked: Measured; 26/06/2000 by KB
Marks and inscriptions
Maker's mark TvL or TvZ monogram, possibly for Thierry (Dierick) Luchemans
Gallery label
  • British Galleries: Although this cup was made in London, its maker was probably not English. The applied wirework was inspired by south German work and the engraved hunting scenes are similar to prints published in Northern Europe.The maker may not have settled permanently in London. European goldsmiths often spent part of their training travelling around Europe.(27/03/2003)
  • Treasures of the Royal Courts: Tudors, Stuarts and the Russian Tsars label text: Standing cup and cover 1611–12 Throughout the Tudor and Stuart periods, European craftsmen brought new styles and techniques to London. The bands of filigree suggest that the maker of this cup originally came from South Germany or Eastern Europe. London Gilded silver Maker’s mark ‘TvL’, possibly for Thierry Dierick Luckemans V&A 5964-1859
Object history
Made in London
Subjects depicted
Summary
Object Type
This standing cup with cover was intended for display. It would have been shown as part of a mass of vessels on a buffet or sideboard. Buffet displays were intended to demonstrate wealth and status.

Design & Technique
The principal decoration on this elaborate piece comprises bands of applied wire, known as filigree work. In this technique, a fine metal wire is formed into intricate designs, usually of geometric or foliate form. They are then soldered on to the object. The filigree is complemented by bands of engraving. On the cover these depict birds and animals in a landscape. On the body there are hunting scenes, and on the base fruit and flower stems.

Design Sources & Maker
Although made in London, this cup is unlikely to have been made by an Englishman, for a number of reasons. Filigree work is associated with south German and eastern European goldsmiths' work, and is rarely found in English silver. The surviving examples of English filigree work are so similar in technique that they can be attributed to the same maker as this piece. The engraving is based on Northern European print sources, and the maker's mark is a combination of initials characteristic of Flemish names. The maker's mark is otherwise unrecorded in London, and it is probable that he was working in London only for a short period of time.
Bibliographic reference
Baker, Malcolm, and Brenda Richardson (eds.), A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.
Collection
Accession number
5964:1, 2-1859

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Record createdApril 27, 1999
Record URL
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