Figure thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sacred Silver & Stained Glass, Room 84, The Whiteley Galleries

Figure

twelfth century (made)
Artist/Maker
Place of origin

This figure of Christ was once fixed to a metal cross. The core belief of Christianity is human salvation through Christ’s death on the cross and his Resurrection. The cross therefore has long been the central symbol of Christianity and a focus of veneration.


Object details

Categories
Object type
Materials and techniques
Bronze
Brief description
Corpus Figure, copper alloy, cast, Rhine / Meuse region, Southern Netherlands or Germany, ca.1150
Physical description
Bronze. Hair to shoulders, separated legs on suppedaneum.
Dimensions
  • Height: 7.5in
  • Width: 6in
Style
Gallery label
Figure of Christ This figure of Christ was once fixed to a metal cross. The core belief of Christianity is human salvation through Christ’s death on the cross and his Resurrection. The cross therefore has long been the central symbol of Christianity and a focus of veneration. Rhine/Meuse region, Southern Netherlands or Germany, about 1150. Copper alloy, cast Museum no.M.33-1955. Hildburgh Gift (15)(22/11/2005)
Credit line
Given by Dr W. L. Hildburgh
Object history
Hildburgh Gift
Historical context
IMAGES OF THE CRUCIFIED CHRIST

Man's salvation through Christ's death on the cross and resurrection is the core belief of Christianity. From the earliest times the cross became the archetypal symbol of the religion.

The figures of Christ in this display would all originally have been fitted to metal crosses and used for veneration on the altar or carried in procession. The crosses themselves have been lost or melted down but the figures have been preserved, probably for their artistic and spiritual value.

Throughout the Middle Ages the image of Christ underwent a remarkable evolution, reflecting the gradually changing theology of Christ. The Gospels tell of him being stripped of his clothes to be crucified, but artists never depicted him naked. Early examples project an image in full length tunic or long skirt, eyes open, wearing a royal crown and epitomising the concept of his kingship and triumph over death. From about 1200 western artists focused on Christ's human suffering and depicted him in death, or dying, broken and tormented.
Subject depicted
Summary
This figure of Christ was once fixed to a metal cross. The core belief of Christianity is human salvation through Christ’s death on the cross and his Resurrection. The cross therefore has long been the central symbol of Christianity and a focus of veneration.
Collection
Accession number
M.33-1955

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Record createdFebruary 18, 2005
Record URL
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