Printing Block thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, room 514a , Case 19, Shelf DR16

Printing Block

1800 (made)
Artist/Maker
Place of origin

This block is believed to have been engraved Thomas Bewick (ca. 1753–1828) himself, rather than by someone in his workshop. Bewick was the first artist to exploit fully the potential of wood engraving. In wood engraving the image is usually made on a block of hard wood, typically boxwood, which the engraver works with a burin instead of the knives and gouges used in woodcutting. This makes it possible to produce more delicate effects. Bewick pioneered the white line method, carving some of his design into the block to be ‘read’ as white lines. He combined this with the more usual black line engraving, in which the part of the design not to be printed was cut away leaving the outline and shading of the design in relief. Compare the foliage in the tree (in white line) to the tomb and urn (in black line).
Solomon Hodgson was a print and bookseller. Hodgson’s widow asked Bewick to engrave this memorial image as a memento, for which he originally charged £2 and 15s, later withdrawing the charge.


Object details

Categories
Object type
Materials and techniques
Engraved wood block
Brief description
Wood-engraved printing block by Thomas Bewick in memory of his friend Solomon Hodgson; circa 1800.
Physical description
Engraved woodblock of a tomb in a churchyard.
Dimensions
  • Height: 6.5cm
  • Width: 8.5cm
  • Depth: 2.3cm
Style
Marks and inscriptions
  • 'T Bewick Scu.' (Bottom right hand corner in reverse)
  • 'Sol. Hodgson obt 4 April 1800 AE 39' (Lettered on the tomb in reverse)
Gallery label
Bewick was a pioneer of wood engraving. He developed a white-line technique, engraving into the wood to create white strokes and shapes, as well as cutting away the wood to produce black lines, as in traditional woodcut.(August 2019)
Credit line
Given by Mrs Mary Edith Morgan
Object history
An impression was taken from this woodblock in 1960 by Reynolds Stone (E.5506A-1960)
Subjects depicted
Summary
This block is believed to have been engraved Thomas Bewick (ca. 1753–1828) himself, rather than by someone in his workshop. Bewick was the first artist to exploit fully the potential of wood engraving. In wood engraving the image is usually made on a block of hard wood, typically boxwood, which the engraver works with a burin instead of the knives and gouges used in woodcutting. This makes it possible to produce more delicate effects. Bewick pioneered the white line method, carving some of his design into the block to be ‘read’ as white lines. He combined this with the more usual black line engraving, in which the part of the design not to be printed was cut away leaving the outline and shading of the design in relief. Compare the foliage in the tree (in white line) to the tomb and urn (in black line).
Solomon Hodgson was a print and bookseller. Hodgson’s widow asked Bewick to engrave this memorial image as a memento, for which he originally charged £2 and 15s, later withdrawing the charge.
Associated object
E.5506A-1960 (Impression)
Bibliographic reference
Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1960 and 1961 London: HMSO, 1964
Collection
Accession number
E.5506-1960

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Record createdJuly 1, 2009
Record URL
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