Raja Jawan Singh of Mewar thumbnail 1
Raja Jawan Singh of Mewar thumbnail 2
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Raja Jawan Singh of Mewar

Painting
1835 (made)
Artist/Maker
Place of origin

Maharana Jawan Singh of Mewar (ruled 1828-38) is shown twice in this picture: once in the background, where he is seen with his hounds in pursuit of two wild boar, and in the foregound, as the focal point of the painting, where he slashes the larger boar with his sword, while his dogs attack the smaller one. The green dress of the ruler and his attendants, and the emphasis on the green vegetation of the landscape, suggest that this painting might have been made to mark one of the ritual hunts called Aheriya, for which everybody wore green robes.

Object details

Categories
Object type
TitleRaja Jawan Singh of Mewar (generic title)
Materials and techniques
Painted in opaque watercolour and gold on paper
Brief description
Painting, Rana Jawan Singh of Udaipur hunting wild boar, opaque watercolour and gold on paper, Mewar, 1835
Physical description
Painting, opaque watercolour and gold on paper, depicting Maharana Jawan Singh hunting wild boar, with dogs and retainers. in a hilly landscape. The Raja is shown in the foreground wielding a sword and again in the middle distance holding a spear.
Dimensions
  • Height: 370mm (Note: Measurements taken from Maharajas touring exhibition loan file)
  • Width: 290mm (Note: Measurements taken from Maharajas touring exhibition loan file)
Content description
Maharana Jawan Singh hunting wild boar, with dogs and retainers. in a hilly landscape. The Raja is shown in the foreground wielding a sword and again in the middle distance holding a spear.
Style
Subjects depicted
Summary
Maharana Jawan Singh of Mewar (ruled 1828-38) is shown twice in this picture: once in the background, where he is seen with his hounds in pursuit of two wild boar, and in the foregound, as the focal point of the painting, where he slashes the larger boar with his sword, while his dogs attack the smaller one. The green dress of the ruler and his attendants, and the emphasis on the green vegetation of the landscape, suggest that this painting might have been made to mark one of the ritual hunts called Aheriya, for which everybody wore green robes.
Bibliographic references
  • A.Topsfield, Court Painting at Udaipur, Zurich, Artibus Asiae, 2002, p.251.
  • Jackson, Anna and Ji Wei (eds.) with Rosemary Crill, Ainsley M. Cameron and Nicholas Barnard, compiled by the Palace Museum, translated by Yuan Hong, Qi Yue and Liu Ran. The Splendour of India' Royal Courts : Collection of the Victoria and Albert Museum. Beijing: the Forbidden City Publishing House, 2013. Text in English and Chinese. ISBN 9787513403917. pps. 202-203
  • Irwin, John C., Indian Art, Victoria and Albert Museum, London: H. M. Stationery Office, 1968 pl. 51
Collection
Accession number
IS.557-1952

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Record createdFebruary 15, 2005
Record URL
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