Armchair thumbnail 1
Not currently on display at the V&A

Armchair

1875-1900 (made)
Artist/Maker
Place of origin

This chair exemplifies the Arts and Crafts style. Designers working in this style were committed to honesty and simplicity in design, construction and materials. The solid form, restrained decoration and the thoughtful use of materials reflect these values.

This piece was made at the Daneway House Workshops, Gloucestershire. Ernest Barnsley and Ernest Gimson set up the workshops in 1893 to make Arts and Crafts furniture. These pieces often used traditional country methods and materials rather than more refined historical techniques. The rush used to make the seat was either harvested from British rivers during July, or imported from The Netherlands. It was an arduous and skilled job to weave rush seats by hand. The work was often undertaken by a specialist rush weaver, after the chairmaker, known as a bodger, had made the frame.


Object details

Category
Object type
Materials and techniques
Elm and rush
Brief description
English, 1875-1900; elm, rush seat, Ernest Gimson
Physical description
Armchair, designed by Gimson, Elm. The circular section legs continue as arm and back supports, decorated with bobbin turning as are the double stretchers at front and sides and the single stretcher at the back. The seat is of twisted rush. Bobbin turned back supports. Acorn finials.
Dimensions
  • Height: 38in
  • Width: 23cm
  • Depth: 18in
Style
Gallery label
International Arts & Crafts: Armchair 1875-1900 Britain; made by Ernest Gimson Elm and rush V&A:W.15-1969(17/03/2005)
Summary
This chair exemplifies the Arts and Crafts style. Designers working in this style were committed to honesty and simplicity in design, construction and materials. The solid form, restrained decoration and the thoughtful use of materials reflect these values.

This piece was made at the Daneway House Workshops, Gloucestershire. Ernest Barnsley and Ernest Gimson set up the workshops in 1893 to make Arts and Crafts furniture. These pieces often used traditional country methods and materials rather than more refined historical techniques. The rush used to make the seat was either harvested from British rivers during July, or imported from The Netherlands. It was an arduous and skilled job to weave rush seats by hand. The work was often undertaken by a specialist rush weaver, after the chairmaker, known as a bodger, had made the frame.
Bibliographic references
  • Annette Carruthers and Mary Greensted, 'Good Citizen' Furniture', 1994
  • Livingstone, Karen & Parry, Linda (eds.), International Arts and Crafts, London : V&A Publications, 2005
Collection
Accession number
W.15-1969

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Record createdJanuary 28, 2005
Record URL
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