The Spies thumbnail 1

The Spies

Panel
ca. 1900 (made)
Artist/Maker
Place of origin

This is a ‘peasant tapestry’ embroidered in linen. Peasant tapestries were designed for a number of different domestic purposes, including portieres, casement curtains and bed hangings. They became very fashionable in artistic circles and were sold through various shops. This example was designed by Godfrey Blount and made at the Haslemere Peasant Industries in 1900.

Haslemere Peasant Industries was a community of artist craftsmen and women, established in Surrey in 1894 in an effort to obtain ‘the double pleasure of lovely surroundings and happy work’. Ironwork, pottery, woodwork, fresco painting, hand-press printing, bookbinding, plasterwork and carving were all produced, but textiles were by far the industries’ most important craft. The first weaving sheds were set up by Joseph and Maud King who specialised in hand-woven plain and figured materials in linen, silk and cotton. From 1896 appliqué and embroideries, such as this example, were produced by the Peasant Arts Society founded by Godfrey Blount and his wife Ethel Hine. Local women were recruited for the workshops and trained in weaving and embroidery techniques.

Godfrey Blount had trained as a painter at the Slade School in London. His designs for embroidered hangings use the simple but very effective technique of linen on linen with linear embroidery in linen thread.

Object details

Categories
Object type
TitleThe Spies (assigned by artist)
Materials and techniques
Embroidered linen with linen threads, appliquéd, hand woven
Brief description
Hanging panel 'The Spies' of embroidered linen with linen threads, designed by Godfrey Blount, embroidered by the Haslemere Peasant Industries, Haslemere, ca.1900
Physical description
Hanging panel of embroidered linen with linen threads in satin stitches and with linen appliqué. Hand woven. With a design of two young men bearing a staff on their shoulders which has a large bunch of grapes lashed to it. Over their shoulders they carry figs and pomegranates. Each of the men reaches up a hand to pluck a large fruit resembling a pineapple. With side borders of leaves and fruit, and a narrow border at the top of leaves only.
Dimensions
  • Height: 60in
  • Width: 90in
Style
Marks and inscriptions
'CONFORTAMINI ET AFFERTE / NOBIS DE FRUCTIBUS TERRAE' (inscribed below the two figures)
Gallery label
(17/03/2005)
International Arts & Crafts
In 1894 Godfrey Blount helped set up a community in Surrey for the 'double pleasure of lovely surroundings and happy work'. Known as the Haselmere Peasant Industries, his workshops trained local women in weaving and embroidery techniques. This panel represents a biblical story in which spies were sent to Canaan to look for the Promised Land and came back laden with huge grapes.
(2013)
22 ‘THE SPIES’ EMBROIDERED HANGING
1896

Haslemere Peasant Industries was a workshop started by a group of artists and designers in rural Surrey in 1894. Using local skills, they developed a wide range of artistic products, including textiles. This appliquéd panel, one of the so-called ‘Peasant Tapestries’, shows a biblical story in which spies were sent to Canaan to look for the Promised Land, and came back laden with huge grapes.

Linen with linen appliqué with edging in linen thread
Designed by Godfrey Blount (born in Bagshot, Surrey, 1859, died in Haslemere, Surrey, 1937) and made at the Haslemere Peasant Industries, Haslemere, Surrey

Given by Mrs Joseph King
Museum no. T.173-1978
Credit line
Given by Mrs Joseph King
Subjects depicted
Summary
This is a ‘peasant tapestry’ embroidered in linen. Peasant tapestries were designed for a number of different domestic purposes, including portieres, casement curtains and bed hangings. They became very fashionable in artistic circles and were sold through various shops. This example was designed by Godfrey Blount and made at the Haslemere Peasant Industries in 1900.

Haslemere Peasant Industries was a community of artist craftsmen and women, established in Surrey in 1894 in an effort to obtain ‘the double pleasure of lovely surroundings and happy work’. Ironwork, pottery, woodwork, fresco painting, hand-press printing, bookbinding, plasterwork and carving were all produced, but textiles were by far the industries’ most important craft. The first weaving sheds were set up by Joseph and Maud King who specialised in hand-woven plain and figured materials in linen, silk and cotton. From 1896 appliqué and embroideries, such as this example, were produced by the Peasant Arts Society founded by Godfrey Blount and his wife Ethel Hine. Local women were recruited for the workshops and trained in weaving and embroidery techniques.

Godfrey Blount had trained as a painter at the Slade School in London. His designs for embroidered hangings use the simple but very effective technique of linen on linen with linear embroidery in linen thread.
Bibliographic references
  • Linda Parry, 'Textiles of the Arts and Crafts Movement' (London: Thames & Hudson, 1988)
  • Livingstone, Karen & Parry, Linda (eds.), International Arts and Crafts, London : V&A Publications, 2005 p.106
Collection
Accession number
T.218-1953

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Record createdJanuary 27, 2005
Record URL
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