Coffee Pot thumbnail 1
Not on display

Coffee Pot

19th century (made)
Artist/Maker
Place of origin

Goldsmiths in the Islamic world had long used the type of openwork decoration seen on this silver coffee pot. The patterns, however, are European in origin. The foot and the top of the lid, for instance, have been formed from a row of acanthus leaves.

The huge expansion of the Ottoman empire in the 16th century was followed by a period of crisis after 1600. Patronage of the arts revived after 1650, but on a more modest scale. At first, the revival of 16th-century Ottoman traditions and the adoption of Iranian artistic ideas were the main sources of change. From the 1740s, however, an Ottoman Baroque style emerged when designers and makers applied non-figurative European motifs to Ottoman forms. The Ottoman Baroque flourished until the 1820s, when new types of European ornament were introduced.

Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Coffee Pot
  • Lid
Materials and techniques
Silver, parcel gilt
Brief description
Silver and parcel gilt coffee pot, Egypt, 19th century.
Physical description
Ottoman, silver and parcel gilt coffee pot. Pierced trelliswork surrounds the body and decorates the lid. Along the top and bottom of the slightly bevelled neck is a floral scroll.
Dimensions
  • Height: 16cm
  • Width: 14cm
Maximum, with lid
Style
Gallery label
(2006-2006)
Jameel Gallery

Silver Ewer
Egypt
1800-1900

Goldsmiths in the Islamic world had long used openwork decoration. But the patterns used in this late example are European in origin. The foot and the top of the lid, for instance, have been formed from a row of acanthus leaves.

Silver, partly gilt

Museum no. M.1816-1944
Object history
Given by Mrs. Segart and Mrs. K. White- Cooper in memory of Dr. W.G.O. White-Cooper
Summary
Goldsmiths in the Islamic world had long used the type of openwork decoration seen on this silver coffee pot. The patterns, however, are European in origin. The foot and the top of the lid, for instance, have been formed from a row of acanthus leaves.

The huge expansion of the Ottoman empire in the 16th century was followed by a period of crisis after 1600. Patronage of the arts revived after 1650, but on a more modest scale. At first, the revival of 16th-century Ottoman traditions and the adoption of Iranian artistic ideas were the main sources of change. From the 1740s, however, an Ottoman Baroque style emerged when designers and makers applied non-figurative European motifs to Ottoman forms. The Ottoman Baroque flourished until the 1820s, when new types of European ornament were introduced.
Collection
Accession number
M.1816-1944

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Record createdJanuary 27, 2005
Record URL
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