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Statue - The Virgin and Child

The Virgin and Child

  • Object:

    Statue

  • Place of origin:

    Normandy, France (Probably, made)

  • Date:

    ca. 1350-1370 (made)

  • Artist/Maker:

    Unknown (production)

  • Materials and Techniques:

    Carved limestone, with remains of paint and gilding and inlaid glass

  • Museum number:

    7949:1-1862

  • Gallery location:

    Medieval and Renaissance, room 9, case WE

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Statues of the Virgin and Child were invariably painted and sometimes inlaid with further decoration. Here, there are coloured and gilded glass medaillions around the edges of the draperies in imitation of costly enamels. The lower part of the Virgin's mantle was originally richly patterned with painted roundels. The canopy above emphasised the importance of the figure.

Physical description

The Virgin holds the Christ-Child on her left arm and the remains of a flower-stem in her right hand. She wears a tall crown with foliate crestings over a veil and a multi-layered mantle drawn across her body over a gown. The Christ-Child is semi-naked, his bottom half covered with a long flowing cloth; He blesses with His right hand and holds a book in His left hand. The Virgin was acquired with an associated canopy, composed of three trefoil crocket gables, with crawling animals at the corners (a pig, a dog, arabbit , and a lion) and with tall square crenellated towers above.

Place of Origin

Normandy, France (Probably, made)

Date

ca. 1350-1370 (made)

Artist/maker

Unknown (production)

Materials and Techniques

Carved limestone, with remains of paint and gilding and inlaid glass

Dimensions

Height: 167.2 cm Including base/support, Width: 59 cm, Depth: 30 cm, Weight: 168 kg

Object history note

Formerly in the collection of Prince Soltykoff, Paris; Soltykoff sale, Hotel Drouot, Paris, 15th April 1861, lot 227 (bought by John Webb, 510 francs); bought from John Webb, London, in 1862 (£24)

Historical significance: This particular type of Virgin and Child derives from prototypes in the Ile-de-France. The idiosyncratic treatment of the Virgin's drapery and the mannered, rather cold, represantations of the faces of both the Virgin and Child suggest that it is a provincial product. The use of inlaid glass encrustation around the borders of the Virgin's mantle points to an origin in Normandy.

Historical context note

Figures of the Virgin and Child were displayed on consoles which were attached to the piers of the nave or on the walls of the aisles.

Descriptive line

Statue, the Virgin and Child, carved limestone, French, Normandy, ca. 1350-1370

Bibliographic References (Citation, Note/Abstract, NAL no)

Inventory of Art Objects Acquired in the Year 1862 In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 21
Williamson, Paul and Evelyn, P. Northern Gothic Sculpture 1200-1450. London, 1988, pp. 130&133

Labels and date

This statue of the Virgin has the distinctive characteristic of glass encrustation around the edges of the draperies, a feature which suggests it was carved in Normandy, where a number of other Virgins have the same decoration. In addition to these inlays the whole sculpture was originally realistically painted (these colours have now faded and been overpainted) and the lower part of the Virgin's mantle was patterned with roundels, the ghosts of which survive. [Jan 1990]

Materials

Limestone

Techniques

Carving; Gilding; Inlay

Subjects depicted

Virgin and Child

Categories

Sculpture; Religion; Christianity

Collection code

SCP

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Qr_O108808
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