Architecture Captial
ca. 1100-1125 (made)
Artist/Maker | |
Place of origin |
The often massive walls of Romanesque churches were enlivened by ‘engaged’ columns. These were false columns half-buried in the wall. They allowed vaults to connect to the walls, and gave the impression that the whole church was supported by columns and capitals. This capital is decorated with a griffin amongst stylised acanthus leaves. Also depicted is a man's face, perhaps intended to be a 'wild-man' emerging from the woods.
Object details
Categories | |
Object type | |
Materials and techniques | Carved limestone |
Brief description | Engaged capital made from oolitic limestone, decorated with a griffin and bearded man, western France (possibly Loire Valley), ca. 1100-25. |
Physical description | Engaged capital made from oolitic limestone, decorated with a griffin and bearded man. On the left side, a griffin with head turned back, both claws clutching a fruit (?); on the right, stylised acanthus leaves and a tree-form bearing pine-cones, between the branches of which appears a man's face, moustached and bearded. |
Dimensions |
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Style | |
Object history | This engaged - in other words one made to be set into a wall - capital shows a griffin with head turned back, amongst stylised acanthus leaves. Also depicted is a man's face, perhaps intended to be a 'wild-man' emerging from the woods. The iconography is probably the same as that of its companion piece, A.34-1936. The relatively simple carving of the capital, and of A.34-1936, suggests that it was made for a provincial, parish church. See P. Williamson, 'Catalogue of Romanesque Sculpture' (V&A publication, London, 1983), pp. 14-15. |
Subject depicted | |
Summary | The often massive walls of Romanesque churches were enlivened by ‘engaged’ columns. These were false columns half-buried in the wall. They allowed vaults to connect to the walls, and gave the impression that the whole church was supported by columns and capitals. This capital is decorated with a griffin amongst stylised acanthus leaves. Also depicted is a man's face, perhaps intended to be a 'wild-man' emerging from the woods. |
Bibliographic reference | P. Williamson, Catalogue of Romanesque Sculpture. London: V&A Publication, 1983), pp. 14-15.
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Collection | |
Accession number | A.35-1936 |
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Record created | January 27, 2005 |
Record URL |
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