Capital thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 8, The William and Eileen Ruddock Gallery

Capital

Architecture Capital
ca. 1100-1125 (made)
Artist/Maker
Place of origin

This capital shows a pair of birds drinking from a cup or chalice. Confronted birds of this kind appear on luxury textiles imported from Byzantium and the Near East. The motif was common in the Auvergne and western France, and allowed for many Christian interpretations.


Object details

Categories
Object type
TitleCapital
Materials and techniques
Carved limestone
Brief description
Engaged capital carved from oolitic limestone, decorated with two birds drinking from a chalice, western France (possibly Loire Valley), ca. 1100-25
Physical description
Engaged capital carved from oolitic limestone, decorated with two birds drinking from a chalice. A pair of birds, confronted, drinking out of a chalice; at the sides, coarse foliate ornament with pine cones; round the base runs a device like twisted cord.
Dimensions
  • Height: 51cm
  • Width: 57cm
  • Depth: 35cm
  • Weight: 97kg
Measured for the Medieval and Renaissance Galleries
Style
Object history
This oolitic limestone engaged - meaning that it was built into a wall - captial is western French, possibly of the Loire Valley. The decoration consists of a pair of birds drinking out of a chalice, and around them is foliage and pine-cones. Around the base of the capital is a twisted roping decoration. The motif of two birds, or alternatively girffins, drinking from a chalice is typically Auvergne or West French. This iconography stemmed from Byzantine and Sassanian sources, in which confronted birds and griffins, associated with Baptism and Resurrection, are shown drinking from the 'Fons Vitae' and surrounded by the tree of life, which is the scene we see carved here.

See P. Williamson, 'Catalogue of Romanesque Sculpture' (V&A publication, London, 1983), pp. 14-15.
Subject depicted
Summary
This capital shows a pair of birds drinking from a cup or chalice. Confronted birds of this kind appear on luxury textiles imported from Byzantium and the Near East. The motif was common in the Auvergne and western France, and allowed for many Christian interpretations.
Bibliographic references
  • P. Williamson, Catalogue of Romanesque Sculpture V&A publication, London, 1983, pp. 14-15.
  • Schen, S. (ed.) The Renaissance of the Twelfth Century. p.39.
Collection
Accession number
A.34-1936

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Record createdJanuary 27, 2005
Record URL
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