Costume Design
1981 (made)
Artist/Maker |
This costume design is essentially a technical blueprint, rather than a work of 'art'. The majority of designers do not draw how the costume should be constructed and worn.
Although theatre designs are often considered works of art and are sought after by museums and private collectors, their artistic worth or decorative qualities are secondary to whether they 'work' on stage. The success of a costume design cannot be judged until it is translated into fabric, texture and decoration by the costume makers and seen as part of the whole stage picture. Some designers are very knowledgeable about costume making and produce very detailed designs, with notes on fabrics and making techniques, others create an 'atmospheric' drawing, which gives the feeling of the costume, and they then either work closely with the costume maker to realise their concept or have trusted makers who know their work and can create the effects they have in mind.
Although theatre designs are often considered works of art and are sought after by museums and private collectors, their artistic worth or decorative qualities are secondary to whether they 'work' on stage. The success of a costume design cannot be judged until it is translated into fabric, texture and decoration by the costume makers and seen as part of the whole stage picture. Some designers are very knowledgeable about costume making and produce very detailed designs, with notes on fabrics and making techniques, others create an 'atmospheric' drawing, which gives the feeling of the costume, and they then either work closely with the costume maker to realise their concept or have trusted makers who know their work and can create the effects they have in mind.
Object details
Object type | |
Materials and techniques | |
Brief description | Costume design by Alix Stone for Soldiers in a production of "Romeo and Juliet", English National Opera, London Coliseum, 1981 |
Physical description | Costume design for Soldiers. Five male figures, back and front, wearing breastplates two with shields and devices on their arm guards; the two back facing figures show the undertunic and the straps attaching the breastplate. |
Production type | Unique |
Credit line | Given by Dr Ray Ingram |
Object history | Costume design by Alix Stone for Soldiers in a production of Charles Gounod's opera "Romeo and Juliet", performed by the English National Opera at the London Coliseum, January 14th 1981. J. Barbier & M Carre's libretto was translated by Edmund Tracey. The production was directed by Colin Graham; conducted by Louis Fremaux; lit by Mark Henderson; choreographed by Pauline Grant; and the fights were arranged by Peter Woodward. The cast included John Brecknock as Romeo, and Valerie Masterson as Juliet. The production was subsequently revived at the London Coliseum in January 1983. |
Production | Reason For Production: Commission |
Associations | |
Literary reference | Romeo and Juliet |
Summary | This costume design is essentially a technical blueprint, rather than a work of 'art'. The majority of designers do not draw how the costume should be constructed and worn. Although theatre designs are often considered works of art and are sought after by museums and private collectors, their artistic worth or decorative qualities are secondary to whether they 'work' on stage. The success of a costume design cannot be judged until it is translated into fabric, texture and decoration by the costume makers and seen as part of the whole stage picture. Some designers are very knowledgeable about costume making and produce very detailed designs, with notes on fabrics and making techniques, others create an 'atmospheric' drawing, which gives the feeling of the costume, and they then either work closely with the costume maker to realise their concept or have trusted makers who know their work and can create the effects they have in mind. |
Collection | |
Accession number | S.86-2004 |
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Record created | January 13, 2005 |
Record URL |
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