Not currently on display at the V&A

Set Design

1974
Artist/Maker

The designer creates the sets with the minimum of information needed to convey the period of the play and give the necessary space for the particular scene. The 'Gothic' architecture is sufficient to suggest the medieval period of St Joan. Minimum sets can have the advantage of not being difficult to change, hence eliminating long intervals between scenes, but equally they can be a sign of a limited budget.
Although theatre designs are often considered works of art and are sought after by museums and private collectors, their artistic worth or decorative qualities are secondary to whether they 'work' on stage. The success of a set design cannot be judged until it is translated into three dimensions by the set painters or builders.
It is often difficult from a set drawing to see how the design will be realised. The designer usually conveys an impression which is then translated into detailed scale drawings and set models. Some designers build their own set models, others are realised by specialist model makers or set builders.


Object details

Object type
Materials and techniques
Brief description
Set drawing by Alix Stone for 'St. Joan', possibly at Oxford University, 1974.
Physical description
Set drawing showing a Gothic interior with a door back left and a staircase disappearing behind a column to right; on the upper edge are drawn hanging bosses; the side walls are covered with decorative panels with, on the left wall, a pointed doorway.
Production typeUnique
Credit line
Given by Dr Ray Ingram
Object history
Set drawing by Alix Stone for George Bernard Shaw's play "St Joan", possibly at Oxford University, August 29th, 1974. The production starred Julia Foster as Joan.
Production
Reason For Production: Commission
Associations
Literary referenceSt Joan
Summary
The designer creates the sets with the minimum of information needed to convey the period of the play and give the necessary space for the particular scene. The 'Gothic' architecture is sufficient to suggest the medieval period of St Joan. Minimum sets can have the advantage of not being difficult to change, hence eliminating long intervals between scenes, but equally they can be a sign of a limited budget.
Although theatre designs are often considered works of art and are sought after by museums and private collectors, their artistic worth or decorative qualities are secondary to whether they 'work' on stage. The success of a set design cannot be judged until it is translated into three dimensions by the set painters or builders.
It is often difficult from a set drawing to see how the design will be realised. The designer usually conveys an impression which is then translated into detailed scale drawings and set models. Some designers build their own set models, others are realised by specialist model makers or set builders.
Collection
Accession number
S.63-2004

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Record createdJanuary 13, 2005
Record URL
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