'…a lot of what MADE ENGLAND GREAT is founded on the blood of slavery, the sweat of working people…an industrial REVOLUTION without the Atlantic Triangle…'
Photograph
1987 (photographed)
1987 (photographed)
| Artist/Maker | |
| Place of origin |
In the series ‘Pastoral Interludes’ Guyanese-born British photographer Ingrid Pollard explores issues of race, representation and the British landscape. The posing of her subjects in the Lake District, the epitome of authentic rural Britain, reveals the feelings of alienation and ‘otherness’ often experienced by black British people in rural areas. As a black British female artist, Pollard is one of those people whom the historian and writer C.L.R. James described as being in a position ‘to give a new vision, a deeper and stronger insight into both Western civilisation and the black people in it’.
Object details
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| Object type | |
| Titles |
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| Materials and techniques | Gelatin-silver print, coloured by hand |
| Brief description | Photograph by Ingrid Pollard, from the series 'Pastoral Interlude', gelatin-silver print, Lake District, 1987 |
| Physical description | Hand-tinted photograph of a black man, wearing waders, fishing with a net in a stream |
| Dimensions |
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| Marks and inscriptions | '...a lot of what MADE ENGLAND GREAT is founded / on the blood of slavery, the sweat of working / people...an industrial REVOLUTION without the / Atlantic Triangle...' (Printed label fixed beneath photograph.) |
| Gallery label | "'and what part of Africa do you come from?' inquired the walker...'
The show I participated in entitled D MAX (1987) was a turning point for me. It was when I first started working on constructed pieces. Pastoral Interlude was made specially for that exhibition. The work is a comment on race, representation, and the British landscape. Pastoral Interlude seems to have a lot of resonance for many people. It began as a way of articulating some of the experiences I had in England. It is really a metaphor, a skeleton on which I explored ideas about place, and where we all fit in". |
| Credit line | Purchased 1993 |
| Subjects depicted | |
| Place depicted | |
| Summary | In the series ‘Pastoral Interludes’ Guyanese-born British photographer Ingrid Pollard explores issues of race, representation and the British landscape. The posing of her subjects in the Lake District, the epitome of authentic rural Britain, reveals the feelings of alienation and ‘otherness’ often experienced by black British people in rural areas. As a black British female artist, Pollard is one of those people whom the historian and writer C.L.R. James described as being in a position ‘to give a new vision, a deeper and stronger insight into both Western civilisation and the black people in it’. |
| Associated objects | |
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| Collection | |
| Accession number | E.724-1993 |
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| Record created | December 16, 2004 |
| Record URL |
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