Design
1837 (made)
Artist/Maker | |
Place of origin |
The ornate octagonal font and cover are reminiscent of Flemish 15th-century work. The church in which it stands is reminiscent of English 15th-century architecture.
This is one of a number of preliminary designs, probably for a projected book on the ceremonies and customs of the medieval Catholic church. In 1838 the Laity's Directory advertised 'The Church of Our Fathers…by Daniel Rock DD, with numerous illustrations…etched by A. Welby Pugin' as a forthcoming publication. On 30 October 1837, Pugin noted in his diary 'Began Dr Rock work', therefore it is likely that these designs were intended for The Church of Our Fathers. Dr Rock took longer to write the text and the volume was finally published from 1849-1853, without Pugin's illustrations.
Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.
This is one of a number of preliminary designs, probably for a projected book on the ceremonies and customs of the medieval Catholic church. In 1838 the Laity's Directory advertised 'The Church of Our Fathers…by Daniel Rock DD, with numerous illustrations…etched by A. Welby Pugin' as a forthcoming publication. On 30 October 1837, Pugin noted in his diary 'Began Dr Rock work', therefore it is likely that these designs were intended for The Church of Our Fathers. Dr Rock took longer to write the text and the volume was finally published from 1849-1853, without Pugin's illustrations.
Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster.
Object details
Categories | |
Object type | |
Materials and techniques | Pencil, in original mount |
Brief description | Sketchbook; baptism of a child, A.W.N. Pugin, 1837. |
Physical description | Illustration of a baptism of a child in a 15th-century church, with a group of figures standing around the font. The priest stands on the steps of the font. |
Dimensions |
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Styles | |
Marks and inscriptions | 'no. 1' (Not in Pugin's hand) |
Subjects depicted | |
Summary | The ornate octagonal font and cover are reminiscent of Flemish 15th-century work. The church in which it stands is reminiscent of English 15th-century architecture. This is one of a number of preliminary designs, probably for a projected book on the ceremonies and customs of the medieval Catholic church. In 1838 the Laity's Directory advertised 'The Church of Our Fathers…by Daniel Rock DD, with numerous illustrations…etched by A. Welby Pugin' as a forthcoming publication. On 30 October 1837, Pugin noted in his diary 'Began Dr Rock work', therefore it is likely that these designs were intended for The Church of Our Fathers. Dr Rock took longer to write the text and the volume was finally published from 1849-1853, without Pugin's illustrations. Augustus Welby Northmore Pugin (1812-52) is widely considered as one of the most significant and influential architects, designers and theorists of the 19th century. Following his conversion to Catholicism in 1835, he identified the Gothic style with Christian architecture and his work and writings inspired and framed the Gothic Revival. In 'Contrasts', published in 1836, he condemned classical forms and ardently praised 14th and 15th-century architecture. Pugin is best remembered for his work on the Palace of Westminster. |
Bibliographic reference | Alexandra Wedgwood, A.W.N. Pugin and the Pugin Family , London; V&A, 1985, pp. 167-171
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Collection | |
Accession number | E.150-1982 |
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Record created | June 30, 2009 |
Record URL |
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