Paracelsus
Photograph
1959 (photographed)
1959 (photographed)
Artist/Maker | |
Place of origin |
In 1957 Frederick Sommer began to make photographs using ‘synthetic’ or camera-less negatives by applying smoke or paint to cellophane and glass. For the Paracelsus negative, he manipulated oil paint between two pieces of cellophane and pulled them apart to reveal a textured shape. The result bears an uncanny resemblance to a human torso and led Sommer to name the photograph after Paracelsus, the 16th-century Swiss doctor, alchemist and philosopher. Sommer identified with Paraclesus’ holistic belief in the inseparability of human and universal life and the need to treat both body and spirit.
Object details
Categories | |
Object type | |
Title | Paracelsus (assigned by artist) |
Materials and techniques | Gelatin-silver print from paint on cellophane negative |
Brief description | Photograph by Frederick Sommer, 'Paracelsus', 1959, gelatin silver print |
Physical description | Photograph of an abstract form resembling a human torso. |
Dimensions |
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Gallery label |
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Summary | In 1957 Frederick Sommer began to make photographs using ‘synthetic’ or camera-less negatives by applying smoke or paint to cellophane and glass. For the Paracelsus negative, he manipulated oil paint between two pieces of cellophane and pulled them apart to reveal a textured shape. The result bears an uncanny resemblance to a human torso and led Sommer to name the photograph after Paracelsus, the 16th-century Swiss doctor, alchemist and philosopher. Sommer identified with Paraclesus’ holistic belief in the inseparability of human and universal life and the need to treat both body and spirit. |
Collection | |
Accession number | E.995-1993 |
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Record created | November 24, 2004 |
Record URL |
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