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Not currently on display at the V&A

An Ecclesiastic

Medallion
ca. 1850 - ca. 1900 (made)
Artist/Maker
Place of origin

This oval carved ivory portrait medallion of an ecclesiastic is probably made in Germany, in about 1850-1900. Although the ivory is distantly reminiscent of the work of Jakob Dobbermann, the almost doll-like facial features suggest the work could be later. The costume and appearance of the sitter show inconsistencies, the ruff going out of fashion in the 1630s, the hairstyle more in keeping with the 1640s, and the fashionable cassock of the 1650s or 1660s. These elements all suggest that this portrait may be a later pastiche, perhaps carved as late as the second half of the nineteenth century.


Object details

Categories
Object type
TitleAn Ecclesiastic (generic title)
Materials and techniques
Carved ivory in relief
Brief description
Medallion, oval carved ivory relief, portrait of an ecclesiastic, Germany, ca. 1850-1900
Physical description
Oval carved ivory portrait medallion in relief of an ecclesiastic, his head turned slightly to his left. He has short curling hair down to his shoulders, and wears bands and a flat ruff over an embroidered robe; a jewelled cross is suspended from his neck.
Dimensions
  • Height: 7.1cm
  • Width: 4.5cm
Credit line
Given by Mr W.L. Hammond, Sevenoaks, Kent, in memory of Lieut. R.M. Hammond R.F.A. in 1928
Object history
Given by Mr W.L. Hammond, Sevenoaks, Kent, in memory of Lieut. R.M. Hammond R.F.A. in 1928.
Subjects depicted
Summary
This oval carved ivory portrait medallion of an ecclesiastic is probably made in Germany, in about 1850-1900. Although the ivory is distantly reminiscent of the work of Jakob Dobbermann, the almost doll-like facial features suggest the work could be later. The costume and appearance of the sitter show inconsistencies, the ruff going out of fashion in the 1630s, the hairstyle more in keeping with the 1640s, and the fashionable cassock of the 1650s or 1660s. These elements all suggest that this portrait may be a later pastiche, perhaps carved as late as the second half of the nineteenth century.
Bibliographic references
  • Longhurst, Margaret H. Catalogue of Carvings in Ivory. London: Published under the Authority of the Board of Education, 1929, Part II, p. 98
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013 pp. 443, 444
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, pp. 443, 444, cat. no. 483
Collection
Accession number
A.8-1928

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Record createdNovember 18, 2004
Record URL
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