Not currently on display at the V&A

Lamp in the form of a grotesque male head mounted on a base of branches

Lamp
early 16th century (made)
Artist/Maker
Place of origin

This is a bronze lamp from the workshop of Severo da Ravenna in the early 16th century Padua or Ravenna. This lamp is in the form of a grotesque male head mounted on a base of branches. The head is resting on a tripod pillar, enriched with mouldings and masks. The part of objects made in this workshop were joined by handmade screws of the same size and were therefore interchangeable. The foot to this lamp is probably a replacement and the head has been soldered to what appears to be a section of a candlestick.

Severo Calzetta da Ravenna (active 1496 - d. before 1543) was an Italian sculptor. His father, Domenico Calzetta, was probably a sculptor, and he may have been related to the two painters of the same name working in the circle of Mantegna in Padua: Pietro Calzetta (c. 1455–?86) and Francesco Calzetta ( fl 1492–1500). Severo appears to have divided his time between Padua, Ferrara and Ravenna, where he was first recorded in 1496. From 1511, when he made statues for the visit to Ravenna of Pope Julius II, he appears to have remained in that city; the last notice of him there is in 1525. Severo’s only securely documented work is the signed, ascetic marble figure of St John the Baptist, commissioned in 1500 for the entrance to the chapel of S Antonio in Il Santo, Padua (in situ). In his treatise De sculptura (1504), the Neapolitan art theorist Pomponius Gauricus singled out Severo for special mention at the end of his section on bronze sculpture, suggesting that by that date he was an established bronze sculptor, although no specific work is mentioned.


Object details

Categories
Object type
TitleLamp in the form of a grotesque male head mounted on a base of branches (named collection)
Materials and techniques
Bronze
Brief description
Lamp, bronze, in the form of a grotesque male head, workshop of Severo, Italy (Padua or Ravenna), early 16th century
Physical description
Lamp in the form a grotesque male head mounted on a base of branches. Bronze lamp on a baluster stem enriched with birds etc. over a tripod base with lizards, surmounted by a grotesque black male head.
Dimensions
  • Height: 21.8cm
  • Length: 21.6cm
  • Width: 20cm
  • Depth: 20cm
Object history
Bought from the Soulages Collection for £15 in 1865.

Historical significance: The parts of objects made in this workshop were joined by handmade screws of the same size and were therefore interchangeable. The foot to this lamp is probably a replacement and the head has been soldered to what appears to be a section of a candlestick.
Subjects depicted
Summary
This is a bronze lamp from the workshop of Severo da Ravenna in the early 16th century Padua or Ravenna. This lamp is in the form of a grotesque male head mounted on a base of branches. The head is resting on a tripod pillar, enriched with mouldings and masks. The part of objects made in this workshop were joined by handmade screws of the same size and were therefore interchangeable. The foot to this lamp is probably a replacement and the head has been soldered to what appears to be a section of a candlestick.

Severo Calzetta da Ravenna (active 1496 - d. before 1543) was an Italian sculptor. His father, Domenico Calzetta, was probably a sculptor, and he may have been related to the two painters of the same name working in the circle of Mantegna in Padua: Pietro Calzetta (c. 1455–?86) and Francesco Calzetta ( fl 1492–1500). Severo appears to have divided his time between Padua, Ferrara and Ravenna, where he was first recorded in 1496. From 1511, when he made statues for the visit to Ravenna of Pope Julius II, he appears to have remained in that city; the last notice of him there is in 1525. Severo’s only securely documented work is the signed, ascetic marble figure of St John the Baptist, commissioned in 1500 for the entrance to the chapel of S Antonio in Il Santo, Padua (in situ). In his treatise De sculptura (1504), the Neapolitan art theorist Pomponius Gauricus singled out Severo for special mention at the end of his section on bronze sculpture, suggesting that by that date he was an established bronze sculptor, although no specific work is mentioned.
Bibliographic references
  • Robinson, John Charles. Catalogue of the Soulages Collection. London: Chapman & Hall, 1856, p. 115
  • Drury, C and Fortnum, E. A Descriptive Catalogue of the Bronze of European Origin in the South Kensington Museum. London: Printed by George E. Eyre and William Spottiswoode and sold by Chapman & Hall, 1876, p. 166
  • Inventory of Art Objects acquired in the Year 1865. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 35
Collection
Accession number
574-1865

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Record createdNovember 17, 2004
Record URL
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