Not currently on display at the V&A

Leopardess

Intaglio
ca. 150 BC (made)
Artist/Maker
Place of origin

The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. At each stage cameos and intaglios, these skillful carvings on a minute scale, were much prized and collected, sometimes as symbols of power mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. This sophisticated and naturalistic engraving of a leopardess has been dated to around 150 BC.


Object details

Categories
Object type
TitleLeopardess (generic title)
Materials and techniques
Engraved gemstone, dark green jasper in gold ring.
Brief description
Intaglio, oval jasper, variety 'bloodstone', set in a 19th century gold ring, depicting a leopardess, Italy, antique Graeco-Roman, ca. 150 BC
Physical description
Horizontal oval intaglio. Dark green jasper. Depicting a leopardess walking in profile to the right, beneath a tree. In a gold ring.
Dimensions
  • Width: 13mm
  • Height: 11mm
Style
Credit line
Given by Richard Cockle Lucas
Object history
Given by the British neo-classical sculptor Richard Cockle Lucas in 1865, together with twenty-two ivory carvings, twelve waxes, sixteen other gems, a marble group and a portrait in plaster.
Historical context
Engraved gemstones of all dates were widely collected in Italy in the eighteenth and nineteenth centuries. Many were brought back by British Grand Tourists, and important collections were formed.
Production
Attribution note: Dark green and opaque jasper with red inclusions.
Subject depicted
Summary
The art of engraving gemstones can be traced back to ancient Greece in the 8th century BC and earlier. Techniques passed down to the Egyptians and then to the Romans. There were major revivals of interest in engraved gems in Europe during the Byantine era, the Middle Ages, the Renaissance, and again in the 18th and 19th centuries. At each stage cameos and intaglios, these skillful carvings on a minute scale, were much prized and collected, sometimes as symbols of power mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. This sophisticated and naturalistic engraving of a leopardess has been dated to around 150 BC.
Bibliographic references
  • Inventory of Art Objects acquired in the Year 1865. Inventory of the Objects in the Art Division of the Museum at South Kensington, arranged According to the Dates of their Acquisition. Vol. 1. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 30
  • Machell Cox, E., Victoria & Albert Museum Catalogue of Engraved Gems. London, Typescript, 1935, Part 1, pp. 58-9
Collection
Accession number
233-1865

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Record createdNovember 17, 2004
Record URL
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